[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lobo-bobo":3},"title: Lobo Bobo\ncomposer: Carlos Lyra, Ronaldo Bôscoli\nstyle: Bossa Nova\nkey: Bb\nform: AABA, 56 bars\nrecording: João Gilberto; Chega de Saudade; Odeon; 1959\nyoutube: jEkGaOPhVJE\n# analysis: 2026-10-28, rules v2; Bb\n# recording: arranged by Jobim (Odeon MOFB 3073); the first recording, which made the song known (rule 2); Lyra's own first LP (Bossa Nova, Philips 1959) does not include it; sources: MusicBrainz (MOFB 3073 track list), Apple Music bio, Tribuna; video: Zebralution \"Provided to YouTube\" upload, João Gilberto Apresenta Chega de Saudade, 1:22\n\nsection: A1\n# area: Bb major (A1 1 – B 8)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n3  | Cm7     # ii of F7b9: Dorian\n4  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n5  | Cm7     # ii of F7b9: Dorian\n6  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n8  | Cm7     # ii of F13: Dorian\n8  | F13     # V7\u002FI in Bb: natural tensions\n9  | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n11 | EbMaj7  # IV: the #4 is the key’s 7th\n12 | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n15 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n17 | Bb6     # tonic: the 4th is in the key\n17 | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n18 | Bb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 18\n\nsection: B\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n3  | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n7  | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n8  | Eb6     # IV: the #4 is the key’s 7th\n# area: F major (B 9–15)\n9  | Gm7     # ii of the ii–V to F\n10 | C7b9    # V7 of F: the b9 from the symbol\n11 | FMaj7   # tonic: the 4th is in the key\n12 | F6      # tonic: the 4th is in the key\n13 | Cm7     # a borrowed minor chord: Dorian, its own key\n14 | G+      # from the symbol: augmented\n15 | C13     # V7 in F, not resolving: natural tensions\n15 | C7b13   # V7 in F, not resolving: the b13 from the symbol\n# area: Bb major (B 16 – A2 16)\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n3  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n5  | Cm7     # ii of F7b9: Dorian\n6  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n7  | Dm7b5   # iiø7 of G7#5: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7#5    # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n9  | EbMaj7  # IV: the #4 is the key’s 7th\n10 | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | Bb6     # tonic: the 4th is in the key\n15 | Eb      # IV: the #4 is the key’s 7th\n16 | Bb6     # tonic: the 4th is in the key\n",1793484800940]