[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:little-waltz":3},"title: Little Waltz\ncomposer: Ron Carter\nstyle: Jazz waltz\nkey: Fm\ntime: 3\u002F4\nform: ABC, 34 bars\nrecording: Ron Carter; Uptown Conversation; Embryo; 1970\nyoutube: YdY-nj0xm7k\n# analysis: 2026-10-19, rules v2; F minor\n# recording: recorded 1969-10-06\u002F07, A&R Recording, New York, Ron Carter with Hubert Laws, Herbie Hancock, Grady Tate, Embryo SD 521, produced by Herbie Mann; Carter's own first recording; sources: Wikipedia, MusicBrainz; video: \"Provided to YouTube by Rhino Atlantic\", Uptown Conversation, the same take\n# book: Med.-Slow Jazz Waltz. Letters A (18 bars), B (8), C (8).\n\n# bar | chord\n\nsection: A\n# area: F minor (A 1 – B 4)\n1  | Fm      # tonic minor: Dorian by convention\n2  | C7\u002FE    # V7 of the Fm before it: b9 and b13 are in the key\n3  | Ebm7    # a borrowed minor chord: Dorian, its own key\n4  | DbMaj7  # a non-tonic major chord: Lydian\n5  | G7      # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n6  | C7      # V7 of F minor, the chain's last link: b9 and b13 are in the key\n7  | Fm      # tonic minor: Dorian by convention\n8  | C7      # V7 of F minor: b9 and b13 are in the key\n9  | Fm      # tonic minor: Dorian by convention\n10 | C7\u002FE    # V7 of the Fm before it: b9 and b13 are in the key\n11 | Ebm7    # a borrowed minor chord: Dorian, its own key\n12 | DbMaj7  # a non-tonic major chord: Lydian\n13 | G7      # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n14 | C7      # V7 of F minor, the chain's last link: b9 and b13 are in the key\n15 | Fm      # tonic minor: Dorian by convention\n16 | C7      # V7 of F minor: b9 and b13 are in the key\n17 | Fm      # tonic minor: Dorian by convention\n18 | Fm\n18 | C7\u002FE    # V7 of F minor: b9 and b13 are in the key\n18 | Fm\u002FEb   # tonic minor: Dorian by convention\n\nsection: B\n1  | Dm7b5   # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7      # V7 of V7: the dominant of the dominant, on the way to Bb minor: b9 and b13 are in the key\n3  | C7      # V7 of F7, on the way to Bb minor: b9 and b13 are in the key\n4  | F7      # V7 of Bb minor, the chain's last link: b9 and b13 are in the key\n# area: Ab major (B 5–7)\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | Ab      # tonic: the 4th is in the key\n# area: F major (B 8 – C 7)\n8  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 of F: natural tensions\n\nsection: C\nbars: 10\n1  | F       # tonic: the 4th is in the key\n2  | C7\u002FE    # V7 of the F before it: natural tensions\n3  | Ebm7    # a borrowed minor chord: Dorian, its own key\n4  | DbMaj7  # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n5  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7      # V7 of F: natural tensions\n7  | F       # tonic: the 4th is in the key\n# alt (optional): bar 8 (C7)\n",1793484800923]