[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:little-niles":3},"title: Little Niles\ncomposer: Randy Weston\nstyle: Waltz\nkey: Gm\ntime: 3\u002F4\nform: AABBA, 64 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A1\n1  | Gm        # tonic minor: Dorian by convention\n2  | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Eb7       # tritone substitute: resolves down a half step to D7b9\n4  | D7b9      # V7 of G minor: b9 and b13 are in the key\n5  | Gm        # tonic minor: Dorian by convention\n6  | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | Eb7       # tritone substitute: resolves down a half step to D7b9\n8  | D7b9      # V7 of G minor: b9 and b13 are in the key\n9  | Gm        # tonic minor: Dorian by convention\n10 | Gmb6      # from the symbol: b6\n11 | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Gmb6      # from the symbol: b6\n13 | B7b5      # extended dominant: each one falls a fifth into the next, on the way to G minor: the #11 is in the key, 9 and 13 from th…\n14 | E7        # extended dominant: each one falls a fifth into the next, on the way to G…; the repeat at A2 bar 14 would be E Mixolydian\n15 | A7b5      # V7 of V7: the dominant of the dominant, on the way to G minor: 9, #11 and 13 from the symbol\n16 | D7b9      # V7 of G minor, the chain's last link: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Ddim7\u002FDb  # passing diminished: Bb7♭9 without its Bb, the Ebdim7\u002FD's dominant; not functioning diatonically: the symmetric scale\n2  | Ddim7\u002FDb\n3  | Ddim7\u002FDb\n4  | Ddim7\u002FDb\n5  | Ebdim7\u002FD  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6  | Ebdim7\u002FD\n7  | Ebdim7\u002FD\n8  | Ebdim7\u002FD\n\nsection: B2\ncopy: B1\n\nsection: A3\n1  | Gm        # tonic minor: Dorian by convention\n2  | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Eb7       # tritone substitute: resolves down a half step to D7b9\n4  | D7b9      # V7 of G minor: b9 and b13 are in the key\n5  | Gm        # tonic minor: Dorian by convention\n6  | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | Eb7       # tritone substitute: resolves down a half step to D7b9\n8  | D7b9      # V7 of G minor: b9 and b13 are in the key\n9  | Gm        # tonic minor: Dorian by convention\n10 | Gmb6      # from the symbol: b6\n11 | Gm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Gmb6      # from the symbol: b6\n13 | B7b5      # extended dominant: each one falls a fifth into the next, on the way to G minor: the #11 is in the key, 9 and 13 from th…\n14 | E7        # extended dominant: each one falls a fifth into the next, on the way to G minor: b9 and b13 are in the key\n15 | A7b5      # V7 of V7: the dominant of the dominant, on the way to G minor: 9, #11 and 13 from the symbol\n16 | D7b9      # V7 of G minor, the chain's last link: b9 and b13 are in the key\n",1793575894106]