[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:little-girl-blue":3},"title: Little Girl Blue\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: F\ntime: 3\u002F4\nform: AAB, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: Verse\noutside: yes\n1  | Gm7     # ii of the ii–V to F\n2  | C7#11   # V7 of F: the #11 from the symbol\n3  | FMaj7   # tonic: the 4th is in the key\n4  | FMaj7\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | FMaj7\n9  | Em7     # ii of the ii–V to D minor\n10 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | DmMaj7  # from the symbol: minor-major 7th\n13 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FV in F: natural tensions\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: A1\ntime: 4\u002F4\n1  | F6      # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # back door bVII7 to F6: the #11 is in the key\n7  | F6      # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7     # ii: Dorian, the key’s own notes\n8  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | D7      # V7\u002Fii in F: the b13 is in the key\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | F6\nalt 12 | Gm7     # ii: Dorian, the key’s own notes\nalt 12 | F6      # tonic: the 4th is in the key\nalt 12 | C7      # V7 of F: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\ntime: 4\u002F4\n1  | C7      # V7 of the F6 before it: natural tensions\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | FMaj7\n5  | Em7     # ii of A7: Dorian\n6  | A7      # extended ii–V: a side-step, its own key\n7  | Eb7#11  # tritone substitute: resolves down a half step to D7\n7  | D7      # tritone substitute: resolves down a half step to Db7#11\n8  | Db7#11  # tritone substitute: resolves down a half step to C7\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n9  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | F6\n",1793575894093]