[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:little-dancer":3},"title: Little Dancer\ncomposer: Tom Harrell\nstyle: Waltz\nkey: Db\ntime: 3\u002F4\nform: ABABCC, 56 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: Intro\n# area: Db major (Intro 1 – B2 7)\n1  | Ebm\u002FAb    # ii: Dorian, the key’s own notes\n2  | Ebm\u002FAb\n3  | Ebm\u002FAb\n4  | Ebm\u002FAb\n\nsection: A1\n1  | Gm7b5     # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C7b9      # V7\u002Fiii in Db: b9 and b13 are in the key\n3  | Fm7b5     # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7b9     # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n5  | Ebm7      # ii of the ii–V to Db\n6  | Ab7b9     # V7 of Db: the b9 from the symbol\n7  | DbMaj7    # tonic: the 4th is in the key\n8  | G7#11     # tritone substitute: resolves down a half step to GbMaj7\n\nsection: B1\n1  | GbMaj7    # the G7#11 before it makes Gb the key of the moment: the 4th is in the key\n2  | GbMaj7\n3  | F#m7      # ii of B7: Dorian\n4  | B7        # tritone substitute: resolves down a half step to Bbm7\n5  | Bbm7      # ii of Eb7: Dorian\n6  | Eb7       # V7\u002FV in Db: natural tensions\n7  | Em7       # ii of A7: Dorian\n7  | A7        # extended ii–V: a side-step, its own key\n8  | Ebm7      # ii of Ab7: Dorian\n8  | Ab7       # V7\u002FI in Db: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B2\n1  | GbMaj7    # the G7#11 before it makes Gb the key of the moment: the 4th is in the key\n2  | GbMaj7\n3  | F#m7      # ii of B7: Dorian\n4  | B7        # tritone substitute: resolves down a half step to Bbm7\n5  | Bbm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Bbm7\u002FAb   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gm7b5     # #ivø7 in Db: Locrian, its own mode (the chord is outside the key)\n# area: E major (B2 8 – Coda 2)\n8  | F#7       # V7 of V7: the dominant of the dominant: natural tensions\n8  | B7        # V7 of E: natural tensions\n\nsection: C1\n1  | EMaj7     # tonic: the 4th is in the key\n2  | Bb7b9     # tritone substitute: resolves down a half step to AMaj7; b9 from the symbol\n3  | AMaj7     # the Bb7b9 before it makes A the key of the moment: the 4th is in the key\n4  | DMaj7#11  # from the symbol: #11\n5  | Ebm7\u002FAb   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | Ab7       # III7 in E, not resolving: b9 and b13 are in the key\n7  | Ebm7\u002FAb   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Ab7       # III7 in E, not resolving: b9 and b13 are in the key\n9  | Ebm7\u002FAb   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Ab7       # III7 in E, not resolving: b9 and b13 are in the key\n11 | Ebm7\u002FAb   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | Ab7       # III7 in E, not resolving: b9 and b13 are in the key\n@coda 12\n\nsection: C2\ncopy: C1\n\nsection: Coda\n1  | F#m7\u002FB    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | B7        # V7 in E, not resolving: natural tensions\n# area: Db major (Coda 3–5)\n3  | Ebm\u002FAb    # ii of Ab7: Dorian\n4  | Ab7       # V7\u002FI in Db: natural tensions\n5  | DMaj7#11  # from the symbol: #11\n@coda 1\n",1793575894068]