[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:linha-do-equador":3},"title: Linha do Equador\ncomposer: Djavan\nstyle: Brazilian\nkey: E\nform: ABABC, 41 bars\nrecording: Djavan; Coisa de Acender; Columbia; 1992\nyoutube: FRl8vu0f6do\n# analysis: 2026-10-28, rules v2; E\n# recording: Columbia 852023\u002F2-464248; the composer's own first recording (rule 1); sources: MusicBrainz, Qobuz; video: DjavanVEVO official \"Áudio Oficial\" upload, Coisa de Acender, 4:35\n\nsection: Intro1\n1  | EMaj7   # tonic: the 4th is in the key\n2  | F#m7    # ii: Dorian, the key’s own notes\n3  | EMaj7   # tonic: the 4th is in the key\n4  | F#m7    # ii: Dorian, the key’s own notes\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | EMaj7   # tonic: the 4th is in the key\n2  | F#m7    # ii: Dorian, the key’s own notes\n3  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | F#m7    # ii of the ii–V to E\n4  | B7      # V7 of E: natural tensions\n5  | EMaj7   # tonic: the 4th is in the key\n6  | F#m7    # ii: Dorian, the key’s own notes\n7  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Gm6     # a minor sixth chord: Dorian\n\nsection: B1\n1  | F#m7    # ii: Dorian, the key’s own notes\n2  | EMaj7   # tonic: the 4th is in the key\n2  | Gdim7   # passing diminished: a rootless dominant ♭9\n3  | F#m7    # ii: Dorian, the key’s own notes\n4  | EMaj7   # tonic: the 4th is in the key\n4  | Gdim7   # passing diminished: a rootless dominant ♭9\n5  | F#m7    # ii: Dorian, the key’s own notes\n6  | EMaj7   # tonic: the 4th is in the key\n6  | Gdim7   # passing diminished: F#7♭9 without its F#, the B7's dominant (F#m7 its ii)\n7  | F#m7    # ii of the ii–V to E\n7  | B7      # V7 of E: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | EMaj7   # tonic: the 4th is in the key\n1  | Gdim7   # vii°7 of G#m7: D#7♭9 without its root\n2  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | AMaj7   # IV: the #4 is the key’s 7th\n3  | A6      # IV: the #4 is the key’s 7th\n4  | AmMaj7  # from the symbol: minor-major 7th\n5  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | AMaj7   # IV: the #4 is the key’s 7th\n6  | Am6     # a minor sixth chord: Dorian\n7  | AmMaj7  # from the symbol: minor-major 7th\n7  | Am6     # a minor sixth chord: Dorian\n8  | EMaj7   # tonic: the 4th is in the key\n9  | F#m7    # ii: Dorian, the key’s own notes\n10 | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | F#m7    # ii: Dorian, the key’s own notes\n",1793484800880]