[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:limao":3},"title: Limao\ncomposer: Djavan\nstyle: Bossa Nova\nkey: F#\nform: ABC, 33 bars\nrecording: Djavan; Novena; Epic; 1994\nyoutube: nq-1TYYmhho\n# analysis: 2026-10-28, rules v2; F#\n# recording: Epic 229.035; the composer's own first recording (rule 1); sources: MusicBrainz; video: DjavanVEVO official \"Áudio Oficial\" upload, Novena, 4:28\n\nsection: Intro1\n# area: F# major (Intro1 1 – A 4)\n1  | F#m7    # a borrowed minor chord: Dorian, its own key\n2  | D7      # back door bVII7 to EMaj9: b9 and #11 are in the key\n3  | EMaj9   # ♭VIImaj7, borrowed from F# minor: Lydian (its ♯11 is in the key)\n4  | EMaj9\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | F#m7    # a borrowed minor chord: Dorian, its own key\n2  | D7      # ♭VI7 from the parallel minor: Lydian Dominant\n3  | G#m7    # ii: Dorian, the key’s own notes\n3  | Gdim7   # passing diminished: F#7♭9 without its F#, the B9's dominant; not functioning diatonically: the symmetric scale\n4  | F#m7    # ii of B9: Dorian\n4  | B9      # extended ii–V: a side-step, its own key\n# area: E major (A 4–8)\n4  | F7      # tritone substitute: resolves down a half step to EMaj7\n5  | EMaj7   # tonic: the 4th is in the key\n5  | Gdim7   # passing diminished: a rootless dominant ♭9\n6  | F#m7    # ii: Dorian, the key’s own notes\n6  | FMaj7   # ♭IImaj7, borrowed from E Phrygian: Lydian (its ♯11 is in the key)\n7  | EMaj7   # tonic: the 4th is in the key\n7  | F#m7    # ii: Dorian, the key’s own notes\n8  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: G# major (A 9 – B 1)\n9  | A9      # tritone substitute: resolves down a half step to G#Maj7\n10 | A9\n11 | A9\n12 | A9\n\nsection: B\n1  | G#Maj7  # tonic: the 4th is in the key\n1  | G#6     # tonic: the 4th is in the key\n# area: F# major (B 1–2)\n1  | G#m7    # ii of the ii–V to F#\n1  | C#7     # V7 of F#: natural tensions\n2  | F#Maj7  # tonic: the 4th is in the key\n2  | F#6     # tonic: the 4th is in the key\n# area: E major (B 2–4)\n2  | F#m7    # ii of the ii–V to E\n2  | B7      # V7 of E: natural tensions\n3  | EMaj7   # tonic: the 4th is in the key\n4  | Fm7     # a borrowed minor chord: Dorian, its own key\n# area: Eb major (B 5 – C 1)\n5  | E9      # tritone substitute: resolves down a half step to EbMaj9\n6  | EbMaj9  # tonic: the 4th is in the key\n@time 4 3\u002F4\n@time 5 2\u002F4\n@time 6 4\u002F4\n\nsection: C\n1  | EbMaj9\n# area: Db major (C 2–3)\n2  | Ebm7    # ii of the ii–V to Db\n2  | Ab9     # V7 of Db: natural tensions\n3  | DbMaj7  # tonic: the 4th is in the key\n# area: F# major (C 4–5)\n4  | Dbm7    # ii of the ii–V to B\n4  | Gb7     # V7\u002FIV in F#: natural tensions\n5  | BMaj7   # the Gb7 before it makes B the key of the moment: the 4th is in the key\n# area: Eb major (C 5–15)\n5  | Bb9     # V7 of Eb: natural tensions\n6  | EbMaj9  # tonic: the 4th is in the key\n7  | DbMaj7  # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n8  | EbMaj9  # tonic: the 4th is in the key\n9  | DbMaj7  # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n10 | EbMaj9  # tonic: the 4th is in the key\n11 | EbMaj9\n12 | F#m7    # a borrowed minor chord: Dorian, its own key\n13 | D7      # back door bVII7 to EMaj9: b9 and b13 are in the key\n14 | EMaj9   # ♭IImaj7, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n15 | EMaj9\n",1793484800861]