[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:like-someone-in-love":3},"title: Like Someone in Love\ncomposer: Jimmy Van Heusen\nstyle: Medium swing\nkey: C\nform: AB, 32 bars\nrecording: John Coltrane; Lush Life; Prestige; 1961\nyoutube: 0x_GC01P_Ig\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1957-08-16, Van Gelder Studio, Hackensack, Coltrane, Earl May, Art Taylor (pianoless trio); chart follows no version, so a reference jazz reading; Prestige PRLP 7188, released Feb\u002FMar 1961; Bill Evans (New Jazz Conceptions) and Art Blakey are the other common references; sources: Wikipedia (Lush Life (John Coltrane album)); video: \"Provided to YouTube by Universal Music Group\" Lush Life track, the same take\n# book: letters A (16 bars) and B (16 bars); all changes get 2 beats each when 2 to the bar.\n\n# bar | chord\n\nsection: A\n# area: C major (A 1–9)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | E7\u002FB    # V7\u002Fvi in C: b9 and b13 are in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7\u002FG   # ii of D7\u002FF#: Dorian\n3  | D7\u002FF#   # V7\u002FV in C: natural tensions\n3  | F9#11   # tritone substitute: resolves down a half step to Em7\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n# alt: bar 6 (F#m7 B7)\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n# area: A major (A 10–11)\n10 | Bm7     # ii of the ii–V to A\n10 | E7      # V7 of A: natural tensions\n11 | AMaj7   # tonic: the 4th is in the key\n# area: C major (A 13 – B 9)\n13 | Am7     # ii of D7: Dorian\n14 | D7      # V7\u002FV in C: natural tensions\n15 | Dm7     # ii of the ii–V to C\n16 | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: B\nbars: 16\n1  | CMaj7   # tonic: the 4th is in the key\n1  | E7\u002FB    # V7\u002Fvi in C: b9 and b13 are in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7\u002FG   # ii of D7\u002FF#: Dorian\n3  | D7\u002FF#   # V7\u002FV in C: natural tensions\n3  | F9#11   # tritone substitute: resolves down a half step to Em7\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n# alt: bar 6 (F#m7 B7)\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n# area: A major (B 10–13)\n10 | Bm7     # ii of the ii–V to A\n10 | E7      # V7 of A: natural tensions\n11 | AMaj7   # tonic: the 4th is in the key\n12 | D7      # IV7 in A, not resolving: the #11 is in the key\n12 | D#dim7  # vii°7 of Em7: B7♭9 without its root\n13 | Em7     # ii of the ii–V to D minor\n13 | A7      # V7\u002Fiv in A: natural tensions\n# area: C major (B 14–15)\n14 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n# alt (optional): bar 16 (Dm7 G7)\n",1793484800854]