[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:like-a-lover":3},"title: Like a Lover\ncomposer: Dori Caymmi\nstyle: Bossa Nova\nkey: C\nform: AAB, 41 bars\nrecording: Sérgio Mendes & Brasil '66; Look Around; A&M; 1967\nyoutube: 7QmoDzdVMhw\n# analysis: 2026-10-28, rules v2; C\n# recording: A&M SP 4137, the first recording of the English \"Like a Lover\" (rule 2: the version the title names, and jazz players' reference); \"O Cantador\" was first sung by Elis Regina at the 1967 TV Record festival; sources: MusicBrainz; video: The Sergio Mendes Band official channel \"Official Visualizer\", 3:55\n\nsection: A1\n# area: C major (A1 1–6)\n1  | CMaj7   # tonic: the 4th is in the key\n2  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | CMaj7   # tonic: the 4th is in the key\n4  | D\u002FC     # a non-tonic major chord: Lydian\n5  | Bm7     # a borrowed minor chord: Dorian, its own key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7sus   # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D major (A1 6–11)\n6  | A7      # V7 of D: natural tensions\n7  | DMaj7   # tonic: the 4th is in the key\n8  | G7      # IV7 in D, not resolving: the #11 is in the key\n9  | FMaj7   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n10 | G\u002FF     # IV: the #4 is the key’s 7th\n11 | CMaj7   # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n# area: C major (A1 12 – A2 6)\n12 | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n13 | CMaj7   # tonic: the 4th is in the key\n14 | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@nav 14 Fine\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Fm6\u002FC   # a minor sixth chord: Dorian\n2  | CMaj7   # tonic: the 4th is in the key\n3  | D\u002FC     # a non-tonic major chord: Lydian\n4  | D\u002FC\n5  | Bm7     # a borrowed minor chord: Dorian, its own key\n5  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n6  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Gm7     # a borrowed minor chord: Dorian, its own key\n11 | D\u002FF#    # a non-tonic major chord: Lydian\n12 | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n13 | G7sus\n@nav 13 D.C. al Fine\n",1793484800839]