[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:liberated-brother":3},"title: Liberated Brother\ncomposer: Horace Silver\nstyle: Latin\nkey: F\nform: ABABC, 48 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: Intro\n# area: A major (Intro 1 – B1 8)\n1  | Gm7    # ii of C7: Dorian\n1  | C7     # extended ii–V: a side-step, its own key\n2  | Gm7    # ii of C7: Dorian\n2  | C7     # extended ii–V: a side-step, its own key\n3  | Gm7    # ii of C7: Dorian\n3  | C7     # extended ii–V: a side-step, its own key\n4  | Gm7    # ii of C7: Dorian\n4  | C7     # extended ii–V: a side-step, its own key\n\nsection: A1\n1  | Gm7    # ii of C7: Dorian\n1  | C7     # extended ii–V: a side-step, its own key\n2  | Gm7    # ii of C7: Dorian\n2  | C7     # extended ii–V: a side-step, its own key\n3  | Gm7    # ii of C7: Dorian\n3  | C7     # extended ii–V: a side-step, its own key\n4  | Gm7    # ii of C7: Dorian\n4  | C7     # extended ii–V: a side-step, its own key\n5  | Bbm7   # ii of Eb7: Dorian\n5  | Eb7    # extended ii–V: a side-step, its own key\n6  | Gm7    # ii of C7: Dorian\n6  | C7     # extended ii–V: a side-step, its own key\n7  | Gm7    # a borrowed minor chord: Dorian, its own key\n8  | E7#9   # V7 in A, not resolving: b9, #9 and #11 from the symbol; the repeat at A2 bar 8 would be E Altered\n\nsection: B1\n1  | Bbm7   # ii of Eb7: Dorian\n1  | Eb7    # extended ii–V: a side-step, its own key\n2  | Gm7    # ii of C7: Dorian\n2  | C7     # extended ii–V: a side-step, its own key\n3  | A+     # from the symbol: augmented\n4  | D7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here; the repeat at B2 bar 4 would be D Mixolydian b6\n5  | Gm7    # ii of the ii–V to F minor\n5  | C7     # V7\u002Fbvi in A: the #11 is in the key; the repeat at B2 bar 5 would be C Mixolydian\n6  | Fm7    # ii of Bb7: Dorian\n6  | Bb7    # tritone substitute: resolves down a half step to A+\n7  | A+     # from the symbol: augmented\n8  | D7#9   # V7\u002Fbvii in A: the #11 is in the key, b9 and #9 from the symbol\n@coda 7\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C\n# area: F major (C 1–13)\n1  | Gm7    # ii of C7: Dorian\n1  | C7     # V7\u002FI in F: natural tensions\n2  | Gm7    # ii of C7: Dorian\n2  | C7     # V7\u002FI in F: natural tensions\n3  | Gm7    # ii of C7: Dorian\n3  | C7     # V7\u002FI in F: natural tensions\n4  | Gm7    # ii of C7: Dorian\n4  | C7     # V7\u002FI in F: natural tensions\n5  | Bbm7   # ii of Eb7: Dorian\n5  | Eb7    # extended ii–V: a side-step, its own key\n6  | Gm7    # ii of C7: Dorian\n6  | C7     # V7\u002FI in F: natural tensions\n7  | Gm7    # ii of C7: Dorian\n7  | C7     # V7\u002FI in F: natural tensions\n8  | E7#9   # VII7 in F, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Bbm7   # ii of Eb7: Dorian\n9  | Eb7    # extended ii–V: a side-step, its own key\n10 | Gm7    # ii of C7: Dorian\n10 | C7     # V7\u002FI in F: natural tensions\n11 | A+     # from the symbol: augmented\n12 | D7#9   # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | Gm7    # ii of the ii–V to F minor\n13 | C7     # V7 of F: natural tensions\n# area: A major (C 14–16)\n14 | Fm7    # ii of Bb7: Dorian\n14 | Bb7    # tritone substitute: resolves down a half step to A+\n15 | A+     # from the symbol: augmented\n16 | D7#9   # V7\u002Fbvii in A: the #11 is in the key, b9 and #9 from the symbol\n",1793575893814]