[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:leva-e-traz":3},"title: Leva e Traz\ncomposer: Ivan Lins\nstyle: Samba\nkey: C\nform: ABB, 56 bars\nrecording: Ivan Lins; Awa Yiô; Velas; 1991\nyoutube: 9qoWc2O11bM\n# analysis: 2026-10-28, rules v2; C\n# recording: as \"Leva e Traz (Elis)\", recorded in New York, prod. Larry Williams (Reprise in the US); the composer's own first recording found (rule 1); MusicBrainz dates the Velas CD 1990, the label's ℗ 1991; sources: MusicBrainz, Qobuz bio; video: Warner Records \"Provided to YouTube\" upload, Awa Yiô, 3:41\n\nsection: Intro\n1  | CMaj9    # tonic: the 4th is in the key\n2  | FMaj7\u002FC  # IV: the #4 is the key’s 7th\n3  | CMaj9    # tonic: the 4th is in the key\n4  | FMaj7\u002FC  # IV: the #4 is the key’s 7th\n5  | CMaj9    # tonic: the 4th is in the key\n6  | FMaj7\u002FC  # IV: the #4 is the key’s 7th\n7  | CMaj9    # tonic: the 4th is in the key\n8  | FMaj7\u002FC  # IV: the #4 is the key’s 7th\n9  | CMaj9    # tonic: the 4th is in the key\n10 | CMaj9\n11 | CMaj9\n12 | CMaj9\n@ending 1 7 8\n@ending 2 9 12\n\nsection: A\n1  | CMaj9    # tonic: the 4th is in the key\n2  | CMaj9\n3  | CMaj9\n4  | CMaj9\n5  | CMaj9\n6  | A7b9b13  # extended dominant: V7 of D9; b9 and b13 from the symbol\n7  | D9       # II7 in C, not resolving: natural tensions\n8  | D9\n9  | Bm7b5    # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Bm7b5    # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n13 | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n15 | Am7      # ii of D9: Dorian\n16 | D9       # V7 of V7: the dominant of the dominant: natural tensions\n17 | G13      # V7 of C: natural tensions\n18 | G13\n19 | G13\n20 | G13\n21 | G13\n22 | G13\n23 | CMaj9    # tonic: the 4th is in the key\n24 | C69      # tonic: the 4th is in the key\n\nsection: B1\n1  | FMaj9    # IV: the #4 is the key’s 7th; the repeat at B2 bar 1 would be F Ionian\n2  | F69      # IV: the #4 is the key’s 7th\n3  | Bb9      # ♭VII7 from the parallel minor: Lydian Dominant\n4  | Bb9\n5  | Em11     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Em11\n7  | A13      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | A13\n9  | D9       # V7 of V7: the dominant of the dominant: natural tensions\n10 | D9\n11 | G13      # extended dominant: V7 of C9\n12 | G13\n13 | C9       # I7 in C, not resolving: natural tensions\n14 | C9\n15 | Cm7      # a borrowed minor chord: Dorian, its own key\n16 | C9       # V7\u002FIV in C: natural tensions\n\nsection: B2\ncopy: B1\n",1793484800775]