[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lets-get-away-from-it-all":3},"title: Let's Get Away From It All\ncomposer: Matt Dennis, Adair\nstyle: Medium Up Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Bb7b9   # V7 of Eb: the b9 from the symbol\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FI in Eb: natural tensions\n6  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Fm7     # ii of the ii–V to Eb\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n1  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | BbMaj7  # a non-tonic major chord: Lydian\n5  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n6  | Cm7     # ii of F7: Dorian\n6  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | Bb7     # V7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Bb7b9   # V7 of Eb: the b9 from the symbol\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FI in Eb: natural tensions\n6  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii: Dorian, the key’s own notes\n7  | E7      # tritone substitute: resolves down a half step to Eb6\n8  | Eb6     # tonic: the 4th is in the key\n",1793575893754]