[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lets-fall-in-love":3},"title: Let's Fall In Love\ncomposer: Harold Arlen\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | C6      # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\nalt 4  | Dm7     # ii: Dorian, the key’s own notes\nalt 4  | Fm6     # a minor sixth chord: Dorian\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7      # V7 in C, not resolving: natural tensions\n9  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | AmMaj7  # from the symbol: minor-major 7th\n2  | Am7     # ii of D7: Dorian\n3  | D7      # V7\u002FV in C: natural tensions\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FV in C: natural tensions\n4  | D#dim7  # vii°7 of Em7: B7♭9 without its root\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | C6      # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\nalt 4  | Dm7     # ii: Dorian, the key’s own notes\nalt 4  | Fm6     # a minor sixth chord: Dorian\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575893745]