[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lets-face-the-music-and-dance":3},"title: Let's Face The Music And Dance\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: C\nform: ABC, 38 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–2)\n1  | Cm      # a borrowed minor chord: Dorian, its own key\n2  | Cm\n# area: C minor (A 3–6)\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7 of C minor: b9 and b13 are in the key\n5  | Cm      # tonic minor: Dorian by convention\n6  | Cm\n# area: C major (A 7–13)\n7  | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7b9    # V7 of C: the b9 from the symbol\n9  | CMaj7   # tonic: the 4th is in the key\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7\u002FIV in C: natural tensions\n11 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n12 | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Cm      # a borrowed minor chord: Dorian, its own key\n# area: C minor (A 14 – B 8)\n14 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | G7b9    # V7 of C minor: b9 and b13 are in the key\n@coda 12\n\nsection: B\n1  | Cm      # tonic minor: Dorian by convention\n2  | Cm\n3  | Cm\n3  | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | CmMaj7  # from the symbol: minor-major 7th\n4  | Cm7     # tonic minor: Dorian by convention\n5  | G7      # V7 of the Cm7 before it: b9 and b13 are in the key\n6  | Ab7     # tritone substitute: resolves down a half step to Dm7\u002FG\n7  | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Dm7\u002FG\n# area: C major (B 9–15)\n9  | G7      # V7 of C: natural tensions\n10 | G7\n11 | C6      # tonic: the 4th is in the key\n12 | C7      # V7\u002FIV in C: natural tensions\n13 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n14 | Bb7     # back door bVII7 to C6: the #11 is in the key\n15 | C6      # tonic: the 4th is in the key\n# area: Ab major (B 16 – Coda 2)\n16 | Bbm7    # ii of the ii–V to Ab\n16 | Eb7     # V7 of Ab: natural tensions\n\nsection: C\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7 of Ab: natural tensions\n5  | AbMaj7  # tonic: the 4th is in the key\n6  | AbMaj7\n7  | G7      # VII7 in Ab, not resolving: b9 and b13 are in the key\n8  | G7b9    # V7\u002Fiii in Ab: b9 and b13 are in the key\n@nav 8 D.C. al Coda\n\nsection: Coda\n1  | Am7     # a borrowed minor chord: Dorian, its own key\n2  | Bb7     # II7 in Ab, not resolving: natural tensions\n# area: C major (Coda 3–6)\n3  | Dm7     # ii of the ii–V to C\n4  | G7      # V7 of C: natural tensions\n5  | C6      # tonic: the 4th is in the key\n6  | G7b9    # V7 of the C6 before it: the b9 from the symbol\n@coda 1\n",1793575893736]