[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lets-cool-one":3},"title: Let's Cool One\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7   # tonic: the 4th is in the key\n2 | Fm7      # ii of the ii–V to Eb\n2 | Bb7      # V7 of Eb: natural tensions\n3 | EbMaj7   # tonic: the 4th is in the key\n3 | D7       # tritone substitute: resolves down a half step to Db7\n3 | Db7      # ♭VII7 from the parallel minor: Lydian Dominant\n3 | G7       # extended dominant: each one falls a fifth into the next: natural tensions\n4 | C7b9#11  # extended dominant: each one falls a fifth into the next: b9 and #11 from the symbol\n5 | F7       # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7      # V7 of Eb: natural tensions\n7 | Eb6      # tonic: the 4th is in the key\n8 | Eb6\nalt 8 | Fm7      # ii: Dorian, the key’s own notes\nalt 8 | Eb6      # tonic: the 4th is in the key\nalt 8 | Bb7      # V7 of Eb: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Bbm7     # ii of the ii–V to Ab\n2 | Eb7      # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7   # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | AbMaj7\n5 | F7       # extended dominant: V7 of Bb7sus\n6 | F7\n7 | Bb7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Bb7sus\n\nsection: A3\n1 | EbMaj7   # tonic: the 4th is in the key\n2 | Fm7      # ii of the ii–V to Eb\n2 | Bb7      # V7 of Eb: natural tensions\n3 | EbMaj7   # tonic: the 4th is in the key\n3 | D7       # tritone substitute: resolves down a half step to Db7\n3 | Db7      # ♭VII7 from the parallel minor: Lydian Dominant\n3 | G7       # extended dominant: each one falls a fifth into the next: natural tensions\n4 | C7b9#11  # extended dominant: each one falls a fifth into the next: b9 and #11 from the symbol\n5 | F7       # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7      # V7 of Eb: natural tensions\n7 | Eb6      # tonic: the 4th is in the key\n8 | Eb6\nalt 8 | Fm7      # ii: Dorian, the key’s own notes\nalt 8 | Eb6      # tonic: the 4th is in the key\nalt 8 | Bb7      # V7 of Eb: natural tensions\n",1793575893719]