[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lets-call-the-whole-thing-off":3},"title: Let's Call The Whole Thing Off\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: G\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | GMaj7    # tonic: the 4th is in the key\n1  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7      # ii of the ii–V to G\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7    # tonic: the 4th is in the key\n3  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am7      # ii of D7: Dorian\n4  | D7       # V7\u002FI in G: natural tensions\n5  | Dm7      # ii of the ii–V to C\n5  | G7       # V7\u002FIV in G: natural tensions\n6  | CMaj7    # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | Cm6      # a minor sixth chord: Dorian\n7  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Em7      # ii of A7: Dorian\n8  | A7       # V7 of V7: the dominant of the dominant: natural tensions\n8  | D7       # V7 in G, not resolving: natural tensions\n9  | Am7      # ii of the ii–V to G\n9  | D7       # V7 of G: natural tensions\n10 | G6       # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | F#7      # V7\u002Fiii in G: b9 and b13 are in the key\n2  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | E7b9     # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3  | Am7      # ii of D7sus: Dorian\n4  | D7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | D7       # V7 in G, not resolving: natural tensions\n5  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7      # V7\u002Fiii in G: b9 and b13 are in the key\n6  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | E7b9     # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n7  | Am7      # ii of D7sus: Dorian\n8  | D7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | D7       # V7 of G: natural tensions\n\nsection: A2\n1  | GMaj7    # tonic: the 4th is in the key\n1  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7      # ii of the ii–V to G\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7    # tonic: the 4th is in the key\n3  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am7      # ii of D7: Dorian\n4  | D7       # V7\u002FI in G: natural tensions\n5  | Dm7      # ii of the ii–V to C\n5  | G7       # V7\u002FIV in G: natural tensions\n6  | CMaj7    # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | Cm6      # a minor sixth chord: Dorian\n7  | GMaj7\u002FD  # tonic: the 4th is in the key\n7  | D7       # V7 of the GMaj7\u002FD before it: natural tensions\n8  | B7       # V7 of E7, on the way to A minor: b9 and b13 are in the key\n8  | E7       # V7 of A minor, the chain's last link: b9 and b13 are in the key\n9  | Am7      # ii of the ii–V to G\n9  | D7       # V7 of G: natural tensions\n10 | G6       # tonic: the 4th is in the key\n10 | D7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575893700]