[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:let-there-be-you":3},"title: Let There Be You\ncomposer: Victor Young, Cavanaugh\nstyle: Slow Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n1  | F#dim7  # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n2  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FI in C: natural tensions\n3  | G7\n3  | G7#5    # V7 of C: #11 and b13 from the symbol\n4  | C       # tonic: the 4th is in the key\n4  | B7      # tritone substitute: resolves down a half step to Bb7\n4  | Bb7     # tritone substitute: resolves down a half step to A7\n5  | A7      # V7\u002Fii in C: the b13 is in the key\n6  | Dm7     # ii: Dorian, the key’s own notes\n7  | D7      # II7 in C, not resolving: natural tensions\n8  | Dm7     # ii of G7: Dorian\n8  | G7      # V7\u002FI in C: natural tensions\n9  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n9  | G7      # V7 in C, not resolving: natural tensions\n9  | Dm7     # ii of the ii–V to C\n9  | G7      # V7 of C: natural tensions\n10 | CMaj7   # tonic: the 4th is in the key\n10 | C7      # V7\u002FIV in C: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | F#dim7  # ♯IV°7 to I: B7♭9 without its root, the ♯II°7's notes\n3  | CMaj7   # tonic: the 4th is in the key\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of the ii–V to C\n5  | G7      # V7 of C: natural tensions\n6  | C       # tonic: the 4th is in the key\n6  | G       # V without its 7th: Mixolydian, the key’s own notes\n6  | Am7     # ii of D7: Dorian\n7  | D7      # V7\u002FV in C: natural tensions\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n1  | F#dim7  # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n2  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FI in C: natural tensions\n3  | G7\n3  | G7#5    # V7 of C: #11 and b13 from the symbol\n4  | C       # tonic: the 4th is in the key\n4  | B7      # tritone substitute: resolves down a half step to Bb7\n4  | Bb7     # tritone substitute: resolves down a half step to A7\n5  | A7      # V7\u002Fii in C: the b13 is in the key\n6  | Dm7     # ii: Dorian, the key’s own notes\n7  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | G7      # V7 in C, not resolving: natural tensions\n7  | Dm7     # ii of the ii–V to C\n7  | G7      # V7 of C: natural tensions\n8  | CMaj7   # tonic: the 4th is in the key\n",1793575893688]