[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:let-there-be-love":3},"title: Let There Be Love\ncomposer: Rand, Grant\nstyle: Medium Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | AbMaj7  # IV: the #4 is the key’s 7th\n3 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n7 | Ab7     # tritone substitute: resolves down a half step to Gm7\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | F#dim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n\nsection: B\n1 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # tritone substitute: resolves down a half step to Gm7\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F#dim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n5 | Fm7     # ii of Bb7: Dorian\n6 | Bb7     # V7\u002FI in Eb: natural tensions\n7 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | AbMaj7  # IV: the #4 is the key’s 7th\n3 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C9      # V7\u002Fii in Eb: the b13 is in the key\n4 | C9\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575893659]