[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lele-do-coracao":3},"title: Lelé do Coração\ncomposer: Haroldo Mauro Jr.\nstyle: Samba\nkey: Db\nform: ABC, 40 bars\nrecording: Haroldo Mauro Jr.; Bossa na Pressão; Delira Música; 2005\nyoutube: GA355Es0x3Y\n# analysis: 2026-10-28, rules v2; Db\n# recording: with Sergio Barrozo (bass) and Duduka Da Fonseca (drums); the composer's own first recording (rule 1); sources: hmauro.com discography, musicabrasileira.org review; video: CD Baby \"Provided to YouTube\" upload, Bossa na Pressao, 3:56\n\nsection: A\n# area: Db major (A 1)\n1  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A 2–3)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n# area: D major (A 4–5)\n4  | Em7     # ii of the ii–V to D\n4  | A7      # V7 of D: natural tensions\n5  | DMaj7   # tonic: the 4th is in the key\n# area: Db major (A 6–11)\n6  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | Ab7     # V7 of Db: natural tensions\n9  | DbMaj7  # tonic: the 4th is in the key\n10 | F#m7    # ii of B7: Dorian\n10 | B7      # tritone substitute: resolves down a half step to Bbm7\n11 | Bbm7    # ii of Eb7: Dorian\n11 | Eb7     # tritone substitute: resolves down a half step to Dm7\n# area: C major (A 12–13)\n12 | Dm7     # ii of the ii–V to C\n12 | G7      # V7 of C: natural tensions\n13 | CMaj7   # tonic: the 4th is in the key\n# area: Eb major (A 14 – B 12)\n14 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n16 | Bb7     # extended dominant: V7 of Eb7sus\n\nsection: B\n1  | Eb7sus  # static sus: Mixolydian\n2  | Eb7sus\n3  | Eb7sus\n4  | Eb7sus\n5  | Eb7sus\n6  | Eb7sus\n7  | Eb7sus\n8  | Eb7sus\n9  | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n11 | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n# area: Db major (B 13 – C 8)\n13 | Fm7b5   # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n15 | Ebm7b5  # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | Ab7     # V7 of Db: natural tensions\n\nsection: C\n1  | DbMaj7  # tonic: the 4th is in the key\n2  | BMaj7   # ♭VIImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | Fm7b5   # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7     # V7\u002Fii in Db: the b13 is in the key\n5  | Ebm7    # ii: Dorian, the key’s own notes\n5  | Bb7b9   # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n6  | Ebm7    # ii of the ii–V to Db\n6  | Ab13b9  # V7 of Db: the b9 from the symbol\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | DbMaj7\n",1793484800761]