[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lazy-bird":3},"title: Lazy Bird\ncomposer: John Coltrane\nstyle: Up Tempo Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–2)\n1  | Am7     # ii of D7: Dorian\n1  | D7      # V7\u002FI in G: natural tensions\n2  | Cm7     # ii of F7: Dorian\n2  | F7      # extended ii–V: a side-step, its own key\n# area: Eb major (A1 3–5)\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n# area: G major (A1 6–10)\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n9  | GMaj7   # tonic: the 4th is in the key\n10 | GMaj7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: A major (B 1–4)\n1  | Bm7     # ii of the ii–V to A\n2  | E7      # V7 of A: natural tensions\n3  | AMaj7   # tonic: the 4th is in the key\n4  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # extended ii–V: a side-step, its own key\n# area: G major (B 5 – A2 2)\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n\nsection: A2\n1  | Am7     # ii of D7: Dorian\n1  | D7      # V7\u002FI in G: natural tensions\n2  | Cm7     # ii of F7: Dorian\n2  | F7      # extended ii–V: a side-step, its own key\n# area: Eb major (A2 3–5)\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n# area: G major (A2 6 – Coda 6)\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | GMaj7\n@coda 6\n\nsection: Coda\n1  | GMaj7   # tonic: the 4th is in the key\n2  | F7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Eb7     # ♭VI7 from the parallel minor: Lydian Dominant\n4  | Am7     # ii of the ii–V to G\n5  | D7b9    # V7 of G: the b9 from the symbol\n6  | GMaj7   # tonic: the 4th is in the key\n# area: F major (Coda 7–8)\n7  | C7b9    # V7 of F: the b9 from the symbol\n8  | FMaj7   # tonic: the 4th is in the key\n# area: Ab major (Coda 9–12)\n9  | Bb7b9   # V7 of V7: the dominant of the dominant: the b9 from the symbol\n10 | Eb7     # V7 of Ab: natural tensions\n11 | AbMaj7  # tonic: the 4th is in the key\n12 | Db7#11  # IV7 in Ab, not resolving: the #11 is in the key\n@coda 1\n",1793575893520]