[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:laurie":3},"title: Laurie\ncomposer: Bill Evans\nstyle: Medium ballad\nkey: Bb\nform: A with 1st and 2nd endings, 42 bars\nrecording: Bill Evans; We Will Meet Again; Warner Bros.; 1980\nyoutube: hna_0xsPlaE\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1979-08-06\u002F09, NYC (quintet with Tom Harrell, Larry Schneider, Marc Johnson, Joe LaBarbera), BSK 3411; Evans' last studio album, the first recording of it (Wikipedia, MusicBrainz)\n\n# melody is freely interpreted rhythmically\n# bar | chord\n\nsection: A\n# area: Bb major (A 1–2)\n1  | BbMaj7    # tonic: the 4th is in the key\n# book: E7(b9)sus\n2  | E7sus4b9  # from the symbol: sus b9\n# area: A minor (A 2–28)\n2  | E7#5#9    # V7 of A minor: the b13 is in the key, b9, #9 and #11 from the symbol\n# book: Am(add9) Am\n3  | Am        # tonic minor: Dorian by convention\n4  | AmMaj7    # from the symbol: minor-major 7th\n4  | Am9       # ii of D7b9#5: Dorian\n5  | D7b9#5    # V7\u002Fbvii in A minor: b9, #11 and b13 from the symbol\n# book: Gm9(b5)\n6  | Gm7b5     # iiø7 of C7#5#9: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | C7#5#9    # extended ii–V: a side-step, its own key: the b13 is in the key, b9, #9 and #11 from the symbol\n# book: Cm(add9) Cm\n8  | Cm        # a borrowed minor chord: Dorian, its own key\n9  | CmMaj7    # from the symbol: minor-major 7th\n9  | Cm9       # ii of F7#5#9: Dorian\n10 | F7#5#9    # extended ii–V: a side-step, its own key; b9, #9, #11 and b13 from the symbol\n11 | Fm9       # ii of the ii–V to Eb minor\n12 | Bb7b9#5   # V7\u002F#iv in A minor: the #11 is in the key, b9 and b13 from the symbol\n13 | Ebm9      # ii of Ab7#5#9: Dorian\n14 | Ab7#5#9   # extended ii–V: a side-step, its own key; b9, #9, #11 and b13 from the symbol\n15 | Dm7b5     # ivø7 in A minor: Locrian, its own mode (the chord is outside the key)\n# book: Db9sus\n16 | Db9sus4   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | Db7b9     # tritone substitute: resolves down a half step to C9sus4; b9 from the symbol\n# book: C9sus\n17 | C9sus4    # ♭III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n17 | C9        # tritone substitute: resolves down a half step to B9\n18 | B9        # II7 in A minor, not resolving: the b13 is in the key, the 9 from the symbol\n@ending 1 15 18\n# bars 19–21: the second chord of each pair comes on the \"and\" of beat 3 (book: Gm11 | Gm11 G#m11, Am11 | Am11 Bbm11, Bm11 | Bm11 Cm11)\n19 | Gm11      # a borrowed minor chord: Dorian, its own key\n19 | G#m11     # a borrowed minor chord: Dorian, its own key\n20 | Am11      # tonic minor: Dorian by convention\n20 | Bbm11     # a borrowed minor chord: Dorian, its own key\n@ending 2 19 20\n21 | Bm11      # a borrowed minor chord: Dorian, its own key\n21 | Cm11      # a borrowed minor chord: Dorian, its own key\n22 | C#m11     # a borrowed minor chord: Dorian, its own key\n22 | C#dim7    # passing diminished: C7♭9 without its C, the F7#5#9's dominant; not functioning diatonically: the symmetric scale\n23 | Cm7b5     # iiø7 of F7#5#9: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | F7#5#9    # extended dominant: V7 of Bb13sus; b9, #9, #11 and b13 from the symbol\n25 | Bb13sus   # static sus: Mixolydian\n@nav 25 Fine\n# bars 26–28: piano fill back to the top (no D.C. printed); end at Fine\n26 | Ab13sus   # static sus: Mixolydian\n27 | Gb13sus   # static sus: Mixolydian\n# book: F13sus F13\n28 | F9sus4    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Bb major (A 28)\n28 | F13       # V7 of Bb: natural tensions\n",1793484800754]