[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:laura":3},"title: Laura\ncomposer: David Raksin\nstyle: Ballad\nkey: C\nform: ABCD, 32 bars\nrecording: Clifford Brown; Clifford Brown with Strings; EmArcy; 1955\nyoutube: -0aCplMFL1A\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1955-01-19, Fine Sound, New York, Neal Hefti arranging and conducting, with Richie Powell, George Morrow, Max Roach, master 11122-8, MG 36005; songbook standard (1944 film) → over Charlie Parker with Strings (1950 Mercury 78), whose first LP is unclear in jazzdisco; sources: microgroove.jp, Wikipedia, jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Brownie: The Complete EmArcy Recordings, the same take\n\n# bar | chord | scale\n# the lead sheet offers Bm7 E7 Am7 D7 over bar 4 and Am7 D7 Gm7 C7 over bar 8 as turnarounds;\n# the solo form (repeat to the top) is written, not the ending\n\nsection: A\n# area: G major (A 1–4)\n1 | Am9     # ii of the ii–V to G\n2 | D7b9    # V7 of G: the b9 from the symbol\n3 | GMaj7   # tonic: the 4th is in the key\n3 | C7      # IV7 in G, not resolving: the #11 is in the key\n4 | GMaj7   # tonic: the 4th is in the key\n# area: C major (A 5–8)\n5 | Gm9     # ii of the ii–V to F\n6 | C7b9    # V7\u002FIV in C: the b9 from the symbol\n7 | FMaj7   # the C7b9 before it makes F the key of the moment: the 4th is in the key\n7 | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n8 | FMaj7   # IV: the #4 is the key’s 7th\n\nsection: B\n# area: Eb major (B 1–4)\n1 | Fm7     # ii of the ii–V to Eb\n2 | Bb7b9   # V7 of Eb: the b9 from the symbol\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: G major (B 5 – C 4)\n5 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Am9     # ii of the ii–V to G\n2 | D7b9    # V7 of G: the b9 from the symbol\n3 | GMaj7   # tonic: the 4th is in the key\n3 | C7      # IV7 in G, not resolving: the #11 is in the key\n4 | GMaj7   # tonic: the 4th is in the key\n# area: C major (C 5 – D 8)\n5 | Gm9     # ii of the ii–V to F\n6 | C7b9    # V7\u002FIV in C: the b9 from the symbol\n7 | FMaj7   # the C7b9 before it makes F the key of the moment: the 4th is in the key\n7 | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n8 | FMaj7   # IV: the #4 is the key’s 7th\n\nsection: D\n1 | Fm7     # a borrowed minor chord: Dorian, its own key\n2 | G7b9    # V7 of C: the b9 from the symbol\n3 | CMaj7   # tonic: the 4th is in the key\n4 | D7      # II7 in C, not resolving: natural tensions\n5 | Ebm7    # ii of Ab7b9: Dorian\n5 | Ab7b9   # extended ii–V: a side-step, its own key; b9 from the symbol\n6 | Dm7     # ii of the ii–V to C\n6 | G9      # V7 of C: natural tensions\n7 | C6\u002F9    # tonic: the 4th is in the key\n8 | Bm7     # ii of the ii–V to A minor\n8 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n",1793484800748]