[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:last-night-when-we-were-young":3},"title: Last Night When We Were Young\ncomposer: Harold Arlen\nstyle: Ballad\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 4)\n1 | GMaj7   # tonic: the 4th is in the key\n1 | C7      # tritone substitute: resolves down a half step to Bm7\n2 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | E7b13   # extended dominant: V7 of A7; b13 from the symbol\n3 | A7      # II7 in G, not resolving: natural tensions\n4 | Am7     # ii of D7#9: Dorian\n4 | D7#9    # V7\u002FI in G: b9, #9 and #11 from the symbol\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FIV in G: natural tensions\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n7 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Dm7     # a borrowed minor chord: Dorian, its own key\n2 | B7      # extended dominant: V7 of E7\n2 | E7      # extended dominant: V7 of A7\n3 | A7      # II7 in G, not resolving: natural tensions\n4 | Bb7     # tritone substitute: resolves down a half step to A7b9\n# area: D minor (B 4–8)\n4 | A7b9    # V7 of D minor: b9 and b13 are in the key\n5 | Dm7     # tonic minor: Dorian by convention\n6 | B7      # V7\u002Fii in D minor: b9 and b13 are in the key\n7 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | A7b9    # V7\u002Fi in D minor: b9 and b13 are in the key\n8 | Eb7     # tritone substitute: resolves down a half step to D7\n# area: G major (B 8 – A3 8)\n8 | D7      # V7 of G: natural tensions\n\nsection: A3\n1 | GMaj7   # tonic: the 4th is in the key\n1 | C7      # tritone substitute: resolves down a half step to Bm7\n2 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | E7      # extended ii–V: a side-step, its own key\n3 | Dm7     # a borrowed minor chord: Dorian, its own key\n4 | B7      # extended dominant: V7 of E7\n4 | E7      # extended dominant: V7 of A7\n5 | A7      # II7 in G, not resolving: natural tensions\n6 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n",1793575893451]