[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:last-first":3},"title: Last First\ncomposer: Gary Peacock\nstyle: Medium up straight eighths\nkey: G\nform: AAB head (39 bars) + CCDEE solos (32 bars), 71 bars\ncontext: modal\nrecording: Gary Peacock; Shift in the Wind; ECM; 1980\nyoutube: lfbyjJsb24g\n# analysis: 2026-10-19, rules v2; G, modal\n# recording: recorded February 1980, Columbia Recording Studios, NYC, Gary Peacock with Art Lande, Eliot Zigmund, ECM 1165 (some sources give 1981); the composer's first recording found (Wikipedia, MusicBrainz, ecmreviews); video: \"Provided to YouTube by Universal Music Group\", Shift in the Wind, the same take\n\n# book: use the G major scale on the Gsus chord for solos\n# bar | chord\n\nsection: A\n1  | Gsus        # static sus: Mixolydian\n3  | EbMaj7\u002FG    # modal major: Lydian\n5  | AbMaj7\u002FG    # from the symbol: sus b9\n6  | AbMaj7#5\u002FG  # from the symbol: #5\n7  | Gsus        # static sus: Mixolydian\n# bar 8 (1st ending): Gsus held\n8  | Gsus\n@ending 1 8\n9  | Gsus\n@ending 2 9\n\nsection: B\n1  | Em7         # modal minor: Dorian\n2  | FMaj7\u002FE     # from the symbol: sus b9\n3  | Em7         # modal minor: Dorian\n4  | FMaj7\u002FE     # from the symbol: sus b9\n5  | Em7         # modal minor: Dorian\n6  | FMaj7\u002FE     # from the symbol: sus b9\n7  | Em7         # modal minor: Dorian\n8  | C\u002FD         # modal major: Lydian\n9  | D\u002FE         # modal major: Lydian\n# alt (optional): bars 10, 11 and 12 each (D\u002FC C\u002FD D\u002FE), bar 13 (D\u002FE); the D\u002FE of bar 9 is held through bar 15\n# bar 15: no chord symbol (a piano and bass figure over the held D\u002FE)\n# bars 16–23: the bass plays on beat 1 (sample voicings printed)\n16 | Bm11        # modal minor: Dorian\n# bar 17: last time, fermata and Fine\n# book: CMaj9(#5)\u002FB\n17 | CMaj7#5\u002FB   # from the symbol: #5\n@nav 17 Fine\n18 | Bm11        # modal minor: Dorian\n# book: Am9(add13)\u002FB\n19 | Am11\u002FB      # modal minor: Dorian\n20 | Bm11        # modal minor: Dorian\n21 | CMaj7#5\u002FB   # from the symbol: #5\n22 | Bm11        # modal minor: Dorian\n23 | Am11\u002FB      # modal minor: Dorian\n@time 7 5\u002F4\n@time 9 4\u002F4\n@time 15 3\u002F4\n@time 16 4\u002F4\n\nsection: C\nbars: 8\n# solos on C C D, then E (repeated) to end each solo\n1  | Gsus       | G Ionian  # keep: the book says to use the G major scale on Gsus for solos\n3  | EbMaj7\u002FG    # modal major: Lydian\n5  | AbMaj7\u002FG    # from the symbol: sus b9\n7  | Gsus       | G Ionian  # keep: the book says to use the G major scale on Gsus for solos\n\nsection: C2\ncopy: C\n\nsection: D\nbars: 8\n1  | Em7         # modal minor: Dorian\n2  | FMaj7\u002FE     # from the symbol: sus b9\n# bars 3–6: two 2-bar repeat signs (each marked (2)) repeat bars 1–2 twice\n3  | Em7         # modal minor: Dorian\n4  | FMaj7\u002FE     # from the symbol: sus b9\n5  | Em7         # modal minor: Dorian\n6  | FMaj7\u002FE     # from the symbol: sus b9\n7  | Em7         # modal minor: Dorian\n\nsection: E\n# E: the bass plays on beat 1 (sample voicings printed)\n1  | Bm11        # modal minor: Dorian\n2  | CMaj7#5\u002FB   # from the symbol: #5\n3  | Bm11        # modal minor: Dorian\n4  | Am11\u002FB      # modal minor: Dorian\n# return to C for more solos; after solos, D.C. al Fine\n@nav 4 D.C. al Fine\n\nsection: E2\ncopy: E\n",1793484800731]