[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lament":3},"title: Lament\ncomposer: J.J. Johnson\nstyle: Ballad\nkey: Fm\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1)\n1 | Fm      # tonic minor: Dorian by convention\n# area: Db major (A1 2–3)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A1 4 – B 5)\n4 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7b9    # V7 of F: the b9 from the symbol\n5 | FMaj7   # tonic: the 4th is in the key\n6 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Gm7     # ii: Dorian, the key’s own notes\nalt 7 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\nalt 8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\nalt 8 | A7b9\n\nsection: B\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Dm\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | BbMaj7  # IV: the #4 is the key’s 7th\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: F minor (B 6 – A2 1)\n6 | Ebm7    # ii of the ii–V to Db\n6 | Ab7     # V7\u002FbVI in F minor: natural tensions\n7 | DbMaj7  # a non-tonic major chord: Lydian\n8 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7b9    # V7 of F minor: b9 and b13 are in the key\n\nsection: A2\n1 | Fm      # tonic minor: Dorian by convention\n# area: Db major (A2 2–3)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n# area: F major (A2 4 – C 3)\n4 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7      # V7 of F: natural tensions\n5 | FMaj7   # tonic: the 4th is in the key\n6 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Gm7     # ii: Dorian, the key’s own notes\nalt 7 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\nalt 8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\nalt 8 | A7b9\n\nsection: C\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Dm\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | BbMaj7  # IV: the #4 is the key’s 7th\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n# area: F minor (C 4–6)\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # back door bVII7 to FMaj7: natural tensions\n5 | FMaj7   # a non-tonic major chord: Lydian\n5 | Dm7     # a borrowed minor chord: Dorian, its own key\n6 | Db7     # tritone substitute: resolves down a half step to C7\n# area: F major (C 6–7)\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n# area: F minor (C 8)\n8 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7b9    # V7 of F minor: b9 and b13 are in the key\n",1793575893373]