[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lakes":3},"title: Lakes\ncomposer: Pat Metheny\nstyle: Even 8ths\nkey: D\nform: ABC, 36 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: Intro1\n# area: D major (Intro1 1 – C 2)\n1  | D         # tonic: the 4th is in the key\n2  | A\u002FD       # V without its 7th: Mixolydian, the key’s own notes\n3  | G\u002FD       # IV: the #4 is the key’s 7th\n4  | A\u002FD       # V without its 7th: Mixolydian, the key’s own notes\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | D         # tonic: the 4th is in the key\n1  | A\u002FC#      # V without its 7th: Mixolydian, the key’s own notes\n1  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bm\n2  | D\u002FA       # tonic: the 4th is in the key\n3  | E\u002FG#      # a non-tonic major chord: Lydian\n3  | G\u002FA       # IV: the #4 is the key’s 7th\n4  | DMaj7     # tonic: the 4th is in the key\n4  | F#7       # V7\u002Fvi in D: b9 and b13 are in the key\n5  | F#7\n5  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em        # ii: Dorian, the key’s own notes\n6  | G\u002FA       # IV: the #4 is the key’s 7th\n6  | A\u002FG       # V without its 7th: Mixolydian, the key’s own notes\n7  | DMaj7\u002FF#  # tonic: the 4th is in the key\n7  | Em9       # ii: Dorian, the key’s own notes\n8  | G\u002FA       # IV: the #4 is the key’s 7th\n8  | Bb\u002FA      # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n\nsection: B\n1  | A         # V without its 7th: Mixolydian, the key’s own notes\n1  | Bbdim     # vii°7 of Bm: F#7♭9 without its root\n1  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bm\n2  | D\u002FC       # tonic: the 4th is in the key\n3  | A\u002FC#      # V without its 7th: Mixolydian, the key’s own notes\n3  | Am7\u002FD     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | GMaj7     # IV: the #4 is the key’s 7th\n4  | F#\u002FG#     # a non-tonic major chord: Lydian\n5  | C#m7      # a borrowed minor chord: Dorian, its own key\n5  | C9        # tritone substitute: resolves down a half step to Bm\n6  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | D9        # V7\u002FIV in D: natural tensions\n7  | GMaj7     # the D9 before it makes G the key of the moment: the 4th is in the key\n7  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | FMaj7     # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n\nsection: C\n1  | Em9       # ii: Dorian, the key’s own notes\n1  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F#\u002FG      # a non-tonic major chord: Lydian\n# area: Eb major (C 3–7)\n3  | E7#9\u002FG#   # tritone substitute: resolves down a half step to Eb\u002FA; b9 and #9 from the symbol\n3  | Eb\u002FA      # tonic: the 4th is in the key\n4  | D\u002FA#      # a non-tonic major chord: Lydian\n5  | C\u002FB       # a non-tonic major chord: Lydian\n5  | Bb\u002FC      # V without its 7th: Mixolydian, the key’s own notes\n6  | A7\u002FC#     # extended dominant: V7 of D9\n6  | D9        # VII7 in Eb, not resolving: the b13 is in the key, the 9 from the symbol\n6  | D\u002FEb      # a non-tonic major chord: Lydian\n7  | Em9       # a borrowed minor chord: Dorian, its own key\n7  | F#m7      # a borrowed minor chord: Dorian, its own key\n7  | GMaj7     # a non-tonic major chord: Lydian\n# area: D major (C 8–13)\n8  | A7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | D         # tonic: the 4th is in the key\n10 | A\u002FD       # V without its 7th: Mixolydian, the key’s own notes\n11 | G\u002FC       # IV: the #4 is the key’s 7th\n12 | A\u002FD       # V without its 7th: Mixolydian, the key’s own notes\n13 | DMaj7     # tonic: the 4th is in the key\n# area: F major (C 13–14)\n13 | C7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n14 | FMaj7     # tonic: the 4th is in the key\n# area: Db major (C 14–15)\n14 | Ab7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | DbMaj7    # tonic: the 4th is in the key\n# area: E major (C 15–16)\n15 | B7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n16 | EMaj7     # tonic: the 4th is in the key\n# area: D major (C 16–17)\n16 | D7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n17 | GMaj7     # IV: the #4 is the key’s 7th\n# area: Bb major (C 17–18)\n17 | F7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n18 | BbMaj7    # tonic: the 4th is in the key\n# area: Gb major (C 18–19)\n18 | Db7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n19 | GbMaj7    # tonic: the 4th is in the key\n# area: C major (C 19–20)\n19 | G7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n20 | CMaj7     # tonic: the 4th is in the key\n# area: D major (C 20)\n20 | A7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@nav 8 Fine\n",1793575893358]