[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:lady-sings-the-blues":3},"title: Lady Sings The Blues\ncomposer: Nichols, Holiday\nstyle: Ballad\nkey: Fm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n1 | Fm      # tonic minor: Dorian by convention\n2 | Fm#5    # tonic minor: Dorian by convention\n3 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4 | Fm7     # tonic minor: Dorian by convention\n5 | FMaj7   # a non-tonic major chord: Lydian\n6 | BbMaj7  # a non-tonic major chord: Lydian\n7 | FMaj7   # a non-tonic major chord: Lydian\n7 | Eb7     # tritone substitute: resolves down a half step to D7\n7 | D7      # V7\u002Fii in F minor: b9 and b13 are in the key\n8 | Gm7     # ii of the ii–V to F minor\n8 | C7b9    # V7 of F minor: b9 and b13 are in the key; the repeat at A2 bar 8 would be C Half-Whole Diminished\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | F7      # static dominant: its own mode\n2 | F7\n3 | F7\n4 | F7\n5 | G7      # II7 in F minor, not resolving: b9 and b13 are in the key\n6 | G7\n7 | G7\n8 | G7sus   # V7sus4 of C7b9: the b13 is in the key\n8 | C7b9    # V7 of F minor, the chain's last link: b9 and b13 are in the key\n\nsection: A3\n1 | Fm      # tonic minor: Dorian by convention\n2 | Fm#5    # tonic minor: Dorian by convention\n3 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4 | Fm7     # tonic minor: Dorian by convention\n5 | FMaj7   # a non-tonic major chord: Lydian\n6 | BbMaj7  # a non-tonic major chord: Lydian\n7 | FMaj7   # a non-tonic major chord: Lydian\n7 | Eb7     # tritone substitute: resolves down a half step to D7\n7 | D7      # V7\u002Fii in F minor: b9 and b13 are in the key\n8 | Gm7     # ii of the ii–V to F minor\n8 | C7b9    # V7 of F minor: b9 and b13 are in the key\n\nsection: Coda\n1 | C7b9    # V7 of F minor: b9 and b13 are in the key\n2 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@coda 1\n",1793575893335]