[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:kids-are-pretty-people":3},"title: Kids Are Pretty People\ncomposer: Thad Jones\nstyle: Slow Swing\nkey: Dm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n# area: D minor (A1 1 – B 2)\n1 | Dm7      # tonic minor: Dorian by convention\n1 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Dm7      # tonic minor: Dorian by convention\n2 | Cm7      # ii of F7: Dorian\n2 | F7       # extended dominant: V7 of Bb7\n3 | Bb7      # tritone substitute: resolves down a half step to A7#9\n3 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Dm7      # ii of G7: Dorian\n4 | G7       # V7\u002FbVII in D minor: natural tensions\n5 | FMaj7\u002FC  # bIII of D minor: the relative major itself\n5 | A7\u002FC#    # V7 of D minor: b9 and b13 are in the key\n6 | Dm7      # tonic minor: Dorian by convention\n6 | Dm7\u002FC    # tonic minor: Dorian by convention\n7 | Bm7b5    # iiø7 of E7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | E7#9     # V7 of V7: the dominant of the dominant, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | A7#9     # V7 of D minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A2\n1 | Dm7      # tonic minor: Dorian by convention\n1 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Dm7      # tonic minor: Dorian by convention\n2 | Cm7      # ii of F7: Dorian\n2 | F7       # extended dominant: V7 of Bb7\n3 | Bb7      # tritone substitute: resolves down a half step to A7#9\n3 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Dm7      # ii of G7: Dorian\n4 | G7       # V7\u002FbVII in D minor: natural tensions\n5 | FMaj7\u002FC  # bIII of D minor: the relative major itself\n5 | A7\u002FC#    # V7 of D minor: b9 and b13 are in the key\n6 | Dm7      # tonic minor: Dorian by convention\n6 | Bm7b5    # viø7 in D minor: Locrian, its own mode (the chord is outside the key)\n7 | F\u002FC      # bIII of D minor: the relative major itself\n7 | C7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | F6       # bIII of D minor: the relative major itself\n8 | A7       # V7 of D minor: b9 and b13 are in the key\n\nsection: B\n1 | Dm7      # tonic minor: Dorian by convention\n1 | BbMaj7   # a non-tonic major chord: Lydian\n2 | Gm7      # iv: Dorian, the key’s own notes\n2 | EbMaj7   # a non-tonic major chord: Lydian\n# area: Bb major (B 3–7)\n3 | Cm7      # ii of the ii–V to Bb\n3 | F7       # V7 of Bb: natural tensions\n4 | BbMaj7   # tonic: the 4th is in the key\n4 | Eb7      # back door bVII7 to F\u002FC: the #11 is in the key\n5 | F\u002FC      # V without its 7th: Mixolydian, the key’s own notes\n6 | Eb\u002FC     # IV: the #4 is the key’s 7th\n7 | F\u002FC      # V without its 7th: Mixolydian, the key’s own notes\n# area: D minor (B 8 – A3 8)\n8 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A3\n1 | Dm7      # tonic minor: Dorian by convention\n1 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Dm7      # tonic minor: Dorian by convention\n2 | Cm7      # ii of F7: Dorian\n2 | F7       # extended dominant: V7 of Bb7\n3 | Bb7      # tritone substitute: resolves down a half step to A7#9\n3 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Dm7      # ii of G7: Dorian\n4 | G7       # extended dominant: V7 of C7\n5 | C7       # extended dominant: V7 of F7\n5 | F7       # extended dominant: V7 of Bb7\n6 | Bb7      # extended dominant: V7 of Eb7\n6 | Eb7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | A7#9     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | Dm7      # tonic minor: Dorian by convention\n8 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7       # V7 of D minor: b9 and b13 are in the key\n",1793575893127]