[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:keepin-myself-for-you":3},"title: Keepin' Myself For You\ncomposer: Vincent Youmans\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–10)\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Edim7     # passing diminished: C7♭9 without its C, the F7's dominant; not functioning diatonically: the symmetric scale\n2  | F7        # V7 of V7: the dominant of the dominant: natural tensions\n2  | Bb7       # V7 in Eb, not resolving: natural tensions\n3  | Am7b5     # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3  | Abm7      # iv7 from the parallel minor: Dorian, its notes\n4  | Gm7b5     # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9      # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7       # ii: Dorian, the key’s own notes\n5  | Abm6      # a minor sixth chord: Dorian\n6  | Bb7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | Bb7       # V7 of Eb: natural tensions\n7  | Eb6\u002FG     # tonic: the 4th is in the key\n7  | Gbdim7    # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n9  | Eb6       # tonic: the 4th is in the key\n9  | Fm7       # ii: Dorian, the key’s own notes\n10 | Eb6\u002FG     # tonic: the 4th is in the key\n# area: E major (A1 10 – B 3)\n10 | B7\u002FF#     # V7 of E: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | EMaj7     # tonic: the 4th is in the key\n1  | C#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F#m7      # ii of the ii–V to E\n2  | B7        # V7 of E: natural tensions\n3  | EMaj7\u002FG#  # tonic: the 4th is in the key\n3  | C#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | C#m\u002FB     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (B 4 – A2 8)\n4  | Bb7       # V7 of Eb: natural tensions\n5  | EbMaj7    # tonic: the 4th is in the key\n5  | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Cm\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7b5     # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7        # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Gb7       # tritone substitute: resolves down a half step to Fm7\n7  | Fm7       # ii: Dorian, the key’s own notes\n8  | E7        # tritone substitute: resolves down a half step to EbMaj7\n\nsection: A2\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Edim7     # passing diminished: C7♭9 without its C, the F7's dominant; not functioning diatonically: the symmetric scale\n2  | F7        # V7 of V7: the dominant of the dominant: natural tensions\n2  | Bb7       # V7 in Eb, not resolving: natural tensions\n3  | Am7b5     # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3  | Abm7      # iv7 from the parallel minor: Dorian, its notes\n4  | Gm7b5     # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9      # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7       # ii: Dorian, the key’s own notes\n5  | Abm6      # a minor sixth chord: Dorian\n6  | Fm7       # ii of the ii–V to Eb\n6  | Bb7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | Eb6       # tonic: the 4th is in the key\n7  | C7b9      # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n",1793575893105]