[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:just-the-way-you-are":3},"title: Just The Way You Are\ncomposer: Billy Joel\nstyle: Rock Pop\nkey: D\nform: AAB, 58 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: Intro\n# area: D major (Intro 1 – B 20)\n1  | D      # tonic: the 4th is in the key\n1  | Gm6    # a minor sixth chord: Dorian\n2  | D      # tonic: the 4th is in the key\n2  | G\u002FD    # IV: the #4 is the key’s 7th\n2  | D      # tonic: the 4th is in the key\n3  | D\n3  | Gm6    # a minor sixth chord: Dorian\n4  | D      # tonic: the 4th is in the key\n4  | G\u002FD    # IV: the #4 is the key’s 7th\n4  | D      # tonic: the 4th is in the key\n\nsection: A\n1  | D      # tonic: the 4th is in the key\n2  | Bm6    # a minor sixth chord: Dorian\n3  | GMaj7  # IV: the #4 is the key’s 7th\n4  | Bm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | D7     # V7\u002FIV in D: natural tensions\n5  | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n6  | Gm6    # a minor sixth chord: Dorian\n7  | D\u002FF#   # tonic: the 4th is in the key\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7\u002FIV in D: natural tensions\n9  | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n10 | Gm6    # a minor sixth chord: Dorian\n11 | D\u002FF#   # tonic: the 4th is in the key\n12 | Bm7    # ii of Bm7\u002FE: Dorian\n13 | Bm7\u002FE  # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | E9     # II7 in D, not resolving: natural tensions\n15 | G\u002FA    # IV: the #4 is the key’s 7th\n16 | G\u002FA\n17 | Em7    # ii: Dorian, the key’s own notes\n18 | G\u002FA    # IV: the #4 is the key’s 7th\n19 | D      # tonic: the 4th is in the key\n19 | Gm6\u002FD  # a minor sixth chord: Dorian\n20 | D      # tonic: the 4th is in the key\n20 | G\u002FD    # IV: the #4 is the key’s 7th\n20 | D      # tonic: the 4th is in the key\n21 | D\n21 | Gm6\u002FD  # a minor sixth chord: Dorian\n22 | D      # tonic: the 4th is in the key\n22 | D7     # V7\u002FIV in D: natural tensions\n@segno 1\n@ending 1 13 16\n@ending 2 17 22\n\nsection: B\n1  | GMaj7  # the D7 before it makes G the key of the moment: the 4th is in the key\n2  | A7     # V7 in D, not resolving: natural tensions\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | B7     # V7\u002Fii in D: the b13 is in the key\n5  | Em7    # ii of the ii–V to D\n6  | A7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | D69    # tonic: the 4th is in the key\n8  | D69\n8  | D7\u002FC   # I7 in D, not resolving: natural tensions\n9  | Bb6    # ♭VI6, borrowed from D minor: Lydian (its ♯11 is in the key)\n10 | C7     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Am7    # ii of the ii–V to G minor\n12 | D7     # V7\u002Fiv in D: natural tensions\n13 | Gm7    # ii of C7: Dorian\n14 | C7     # extended ii–V: a side-step, its own key\n15 | G\u002FA    # IV: the #4 is the key’s 7th\n16 | G\u002FA\n17 | Em7    # ii: Dorian, the key’s own notes\n18 | G\u002FA    # IV: the #4 is the key’s 7th\n19 | Bb     # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n20 | C7     # ♭VII7 from the parallel minor: Lydian Dominant\n# area: G minor (B 21–23)\n21 | Am7    # ii of the ii–V to G minor\n22 | D7     # V7 of G minor: b9 and b13 are in the key\n23 | Gm7    # tonic minor: Dorian by convention\n# area: D major (B 24)\n24 | A7     # V7 of D: natural tensions\n@nav 15 D.S. al 3rd ending\n",1793575893037]