[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:just-friends":3},"title: Just Friends\ncomposer: John Klenner & Sam Lewis\nstyle: Up\nkey: F\nform: AA, 32 bars\nrecording: Charlie Parker; Charlie Parker with Strings; Mercury; 1950\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1949-11-30, Reeves Sound Studios, New York, with Jimmy Carroll's orchestra (Mitch Miller, Stan Freeman, Ray Brown, Buddy Rich), master 319-5, first issued on 78 (Mercury 11036, with Everything Happens to Me), first LP 1950 (10\", MGC-101); songbook standard → the jazz reading players know; sources: jazzdisco; no video: the master's only upload is from a European reissue label\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n\nsection: A1\n# the melody horn intro is left out; the played intro (FMaj7 Cm7 F7) is added; the form starts on BbMaj7\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7   # tonic: the 4th is in the key\n7  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n9  | Gm7     # ii of C7: Dorian\n10 | C7      # V7\u002FI in F: natural tensions\n11 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n12 | Dm7     # ii of G7#11: Dorian\n13 | G7#11   # V7\u002FV in F: the #11 from the symbol\n15 | Gm7     # ii of C7: Dorian\n15 | C7      # V7\u002FI in F: natural tensions\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7\u002FIV in F: natural tensions\n\nsection: A2\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7   # tonic: the 4th is in the key\n7  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n9  | Gm7     # ii of C7: Dorian\n10 | C7      # V7\u002FI in F: natural tensions\n11 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n12 | Dm7     # ii of G7: Dorian\n13 | G7      # V7\u002FV in F: natural tensions\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7\u002FIV in F: natural tensions\n",1793484800644]