[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:joy-spring":3},"title: Joy Spring\ncomposer: Clifford Brown\nstyle: Medium\nkey: F\nform: ABCD, 32 bars\nrecording: Clifford Brown & Max Roach; Clifford Brown & Max Roach; EmArcy; 1954\nyoutube: mmxqWLHEt1A\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1954-08-06 at Capitol Studios, Los Angeles (master 10877-4), first issued on the 10\" MG 26043 (December 1954), then the 12\" MG 36036 (1955); Brown also recorded it for Pacific Jazz with Jack Montrose's arrangement (PJLP 19, Clifford Brown Ensemble; 1954-08-12 per Wikipedia, 1954-07-12 per jazzdisco) (Wikipedia, jazzdisco.org, MusicBrainz release group); video: Brownie: The Complete EmArcy Recordings of Clifford Brown, the same take (master, not the alternate)\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – A 7)\n1 | Gm7     # ii: Dorian, the key’s own notes\n2 | Gb7     # tritone substitute: resolves down a half step to FMaj7\n\nsection: Coda\nbars: 8\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Gm7     # ii of the ii–V to F\n4 | C7      # V7 of F: natural tensions\n5 | F       # tonic: the 4th is in the key\n\nsection: A\n# the melody horn intro is left out; the played intro (Gm7 Gb7) and the coda are added\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # extended ii–V: a side-step, its own key\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n# area: Gb major (A 8 – B 7)\n8 | Abm7    # ii of the ii–V to Gb\n8 | Db7     # V7 of Gb: natural tensions\n\nsection: B\n1 | GbMaj7  # tonic: the 4th is in the key\n2 | Abm7    # ii of the ii–V to Gb\n2 | Db7     # V7 of Gb: natural tensions\n3 | GbMaj7  # tonic: the 4th is in the key\n4 | Bm7     # ii of E7: Dorian\n4 | E7      # extended ii–V: a side-step, its own key\n5 | Bbm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Eb7#9   # V7\u002Fii in Gb: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | Abm7    # ii of the ii–V to Gb\n6 | Db7     # V7 of Gb: natural tensions\n7 | GbMaj7  # tonic: the 4th is in the key\n# area: G major (B 8 – C 1)\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: C\n1 | GMaj7   # tonic: the 4th is in the key\n# area: F major (C 2–3)\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n# area: Eb major (C 4–5)\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n# area: Gb major (C 6–7)\n6 | Abm7    # ii of the ii–V to Gb\n6 | Db7     # V7 of Gb: natural tensions\n7 | GbMaj7  # tonic: the 4th is in the key\n# area: F major (C 8 – D 8)\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: D\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # extended ii–V: a side-step, its own key\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n",1793484800568]