[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:joshua":3},"title: Joshua\ncomposer: Victor Feldman\nstyle: Up\nkey: Dm\nform: AABC head + DDEEEF solos, 104 bars\nrecording: Miles Davis; Seven Steps to Heaven; Columbia; 1963\nyoutube: xXONYUnppLs\n# analysis: 2026-10-19, rules v2; D minor\n# recording: recorded 1963-05-14, Columbia 30th Street Studio, NYC, with George Coleman, Herbie Hancock, Ron Carter, Tony Williams, take CO78344-3, Columbia CL 2051\u002FCS 8851, released 1963-07-15; the first issued recording of it; the April 16 Los Angeles take with Feldman himself on piano was not issued until 2004 (jazzdisco, Wikipedia); video: \"Provided to YouTube by Columbia\u002FLegacy\", Seven Steps To Heaven, the same take (not the Los Angeles take or the live versions)\n\n# the intro is a bass figure with no chords (the bass vamp continues under A and C)\n# bar | chord\n\nsection: A\n@segno 1\n# area: D minor (A 1–13)\n1  | Dm7       # tonic minor: Dorian by convention\n1  | D9sus4    # static sus: Mixolydian\n# bar 2: D9sus held through beats 1–2; Dm9 and Em9 on beats 3 and 4\n2  | D9sus4\n2  | Dm9       # tonic minor: Dorian by convention\n2  | Em9       # a borrowed minor chord: Dorian, its own key\n3  | Dm9       # tonic minor: Dorian by convention\n3  | D9sus4    # static sus: Mixolydian\n5  | Dm7       # tonic minor: Dorian by convention\n5  | D9sus4    # static sus: Mixolydian\n6  | D9sus4\n6  | Dm9       # tonic minor: Dorian by convention\n6  | Em9       # a borrowed minor chord: Dorian, its own key\n7  | Dm9       # tonic minor: Dorian by convention\n7  | D9sus4    # static sus: Mixolydian\n9  | Dm9       # tonic minor: Dorian by convention\n9  | Cm9       # a borrowed minor chord: Dorian, its own key\n10 | Bbm9      # a borrowed minor chord: Dorian, its own key\n10 | Cm9       # a borrowed minor chord: Dorian, its own key\n10 | Dm9       # tonic minor: Dorian by convention\n# bars 11–12 (1st ending): the Dm9 of bar 10 held\n11 | Dm9\n12 | Dm9\n@ending 1 11 12\n13 | Dm9\n# area: F major (A 14 – B 1)\n14 | Gm7       # ii of the ii–V to F\n14 | C7        # V7 of F: natural tensions\n@ending 2 13 14\n\nsection: B\ntime: 3\u002F4\n1  | FMaj7     # tonic: the 4th is in the key\n# area: Eb major (B 2–3)\n2  | Fm7       # ii of the ii–V to Eb\n2  | Bb7#5#9   # V7 of Eb: b9, #9, #11 and b13 from the symbol\n3  | EbMaj7    # tonic: the 4th is in the key\n# area: Db major (B 4–8)\n4  | Ebm7      # ii of the ii–V to Db\n4  | Ab7#5#9   # V7 of Db: b9, #9, #11 and b13 from the symbol\n5  | DbMaj7    # tonic: the 4th is in the key\n# bar 6: N.C. (break); the CMaj9#11 is anticipated on its last eighth\n7  | CMaj9#11  # from the symbol: #11\n# book: Bbm7(add13 add11)\n7  | Bbm11     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | F\u002FE       # a non-tonic major chord: Lydian\n# area: D minor (B 8 – D 12)\n8  | A13b9     # V7 of D minor: the b9 is in the key, the 13 from the symbol\n@coda 8\n@time 5 4\u002F4\n\nsection: C\nbars: 12\n1  | Dm7       # tonic minor: Dorian by convention\n1  | D9sus4    # static sus: Mixolydian\n2  | D9sus4\n2  | Dm9       # tonic minor: Dorian by convention\n2  | Em9       # a borrowed minor chord: Dorian, its own key\n3  | Dm9       # tonic minor: Dorian by convention\n3  | D9sus4    # static sus: Mixolydian\n5  | Dm7       # tonic minor: Dorian by convention\n5  | D9sus4    # static sus: Mixolydian\n6  | D9sus4\n6  | Dm9       # tonic minor: Dorian by convention\n6  | Em9       # a borrowed minor chord: Dorian, its own key\n7  | Dm9       # tonic minor: Dorian by convention\n7  | D9sus4    # static sus: Mixolydian\n9  | Dm9       # tonic minor: Dorian by convention\n9  | Cm9       # a borrowed minor chord: Dorian, its own key\n10 | Bbm9      # a borrowed minor chord: Dorian, its own key\n10 | Cm9       # a borrowed minor chord: Dorian, its own key\n10 | Dm9       # tonic minor: Dorian by convention\n# bars 11–12: Dm9 held\n\nsection: D\n# solos on D D E E E F\n1  | Dm7       # tonic minor: Dorian by convention\n9  | Dm7\n9  | Cm7       # a borrowed minor chord: Dorian, its own key\n10 | Bbm7      # a borrowed minor chord: Dorian, its own key\n10 | Cm7       # a borrowed minor chord: Dorian, its own key\n11 | Dm7       # tonic minor: Dorian by convention\n12 | Dm7\n@ending 1 12\n# area: F major (D 13 – E 1)\n13 | Gm7       # ii of the ii–V to F\n13 | C7        # V7 of F: natural tensions\n@ending 2 13\n\nsection: E\ntime: 3\u002F4\n1  | FMaj7     # tonic: the 4th is in the key; the repeat at E2 bar 1 would be F Lydian\n# area: Eb major (E 2–3)\n2  | Fm7       # ii of the ii–V to Eb\n2  | Bb7#5#9   # V7 of Eb: b9, #9, #11 and b13 from the symbol\n3  | EbMaj7    # tonic: the 4th is in the key\n# area: Db major (E 4–5)\n4  | Ebm7      # ii of the ii–V to Db\n4  | Ab7#5#9   # V7 of Db: b9, #9, #11 and b13 from the symbol\n5  | DbMaj7    # tonic: the 4th is in the key\n# area: C minor (E 6 – E2 1)\n6  | G7#5#9    # V7 of C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Cm7       # tonic minor: Dorian by convention\n7  | Bbm7      # a borrowed minor chord: Dorian, its own key\n8  | E7#5#9    # extended dominant: V7 of A7#5#9; b9, #9, #11 and b13 from the symbol\n8  | A7#5#9    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b9, #9 and b13 from the symbol\n@time 7 4\u002F4\n\nsection: E2\ncopy: E\n# E is played three times\n\nsection: E3\ncopy: E\n\nsection: F\nbars: 13\n1  | Dm7       # tonic minor: Dorian by convention\n9  | Dm7\n9  | Cm7       # a borrowed minor chord: Dorian, its own key\n10 | Bbm7      # a borrowed minor chord: Dorian, its own key\n10 | Cm7       # a borrowed minor chord: Dorian, its own key\n11 | Dm7       # tonic minor: Dorian by convention\n12 | Dm7\n# after solos, D.S. al Coda (to A; the coda is taken from the end of B, bar 8)\n@nav 12 D.S. al Coda\n\nsection: Coda\nbars: 8\n1  | Dm11      # tonic minor: Dorian by convention\n1  | Gm7       # iv: Dorian, the key’s own notes\n# alt: bar 2 (Bbm7 Eb9) for Db\u002FG Db(add9 b5)\u002FG\n# bar 2: Db\u002FG, then Db(add9 b5)\u002FG on beat 3, then Dm11 anticipated on the last eighth\n2  | Db\u002FG      # a non-tonic major chord: Lydian\n2  | Dm11      # tonic minor: Dorian by convention\n# bars 5–10: Dm11 vamp (bass as in the intro)\n5  | Dm11\n# bar 11: N.C. (bass only, fermata)\n@coda 1\n",1793484800561]