[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jorgies":3},"title: Jorgie's\ncomposer: Byad\nstyle: Slow Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 3)\n1 | Fm7\u002FBb  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Fm7\u002FBb\n3 | Fm7\u002FBb\n4 | Fm7\u002FBb\n5 | Fm7\u002FBb\n6 | Fm7\u002FBb\n7 | Fm7\u002FBb\n7 | Bb7     # V7 in Eb, not resolving: natural tensions\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 4 | F7      # V7\u002FV in Eb: natural tensions\n# area: G major (B 5–7)\n5 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n7 | C7#11   # V7\u002Fbvii in G: the #11 is in the key\n# area: Eb major (B 8 – C 8)\n8 | Fm7     # ii of Bb7: Dorian\n8 | Bb7     # V7\u002FI in Eb: natural tensions\n\nsection: A2\n1 | Fm7\u002FBb  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Fm7\u002FBb\n3 | Fm7\u002FBb\n4 | Fm7\u002FBb\n5 | Fm7\u002FBb\n6 | Fm7\u002FBb\n7 | Fm7\u002FBb\n7 | Bb7     # V7 in Eb, not resolving: natural tensions\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: C\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Gb7     # tritone substitute: resolves down a half step to Fm7\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | EbMaj7\n",1793575892745]