[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jordu":3},"title: Jordu\ncomposer: Duke Jordan\nstyle: Up Tempo Swing\nkey: Cm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n# area: C minor (A1 1)\n1 | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n1 | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n# area: Eb major (A1 2–4)\n2 | Cm6     # a minor sixth chord: Dorian\n3 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n# area: C minor (A1 5 – A2 1)\n5 | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n5 | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n6 | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7 | Ab7     # bVI7 in C minor, not resolving: the #11 is in the key\n8 | Ab7\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Db major (B 1–4)\n1 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n1 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n2 | F7      # extended dominant: each one falls a fifth into the next: natural tensions\n2 | Bb7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | Eb7     # V7 of V7: the dominant of the dominant: natural tensions\n3 | Ab7     # V7 of Db: natural tensions\n4 | DbMaj7  # tonic: the 4th is in the key\n# area: B major (B 5 – A3 1)\n5 | F7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | Bb7     # extended dominant: each one falls a fifth into the next: natural tensions\n6 | Eb7     # extended dominant: each one falls a fifth into the next: natural tensions\n6 | Ab7     # extended dominant: each one falls a fifth into the next: natural tensions\n7 | Db7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | Gb7     # V7 of B: natural tensions\n8 | BMaj7   # tonic: the 4th is in the key\n\nsection: A3\n1 | D7      # V7 of G7, on the way to C minor: b9 and b13 are in the key\n1 | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n# area: C minor (A3 2–8)\n2 | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3 | F7      # extended dominant: V7 of Bb7\n3 | Bb7     # V7\u002FbIII in C minor: natural tensions\n4 | EbMaj7  # bIII of C minor: the relative major itself\n5 | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n5 | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n6 | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7 | Ab7     # bVI7 in C minor, not resolving: the #11 is in the key\n8 | Ab7\n",1793575892734]