[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:johnny-come-lately":3},"title: Johnny Come Lately\ncomposer: Billy Strayhorn\nstyle: Medium Swing\nkey: Gm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A1\n1  | Gm7    # tonic minor: Dorian by convention\n2  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7#9   # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Gm7    # tonic minor: Dorian by convention\n4  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7#9   # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n6  | A9     # V7 of V7: the dominant of the dominant, on the way to G minor: the b13 is in the key, the 9 from the symbol\n6  | D9     # V7 of G minor, the chain's last link: the b13 is in the key, the 9 from the symbol\n7  | Gm7    # tonic minor: Dorian by convention\n8  | Gm7\n8  | D7     # V7 of the Gm7 before it: b9 and b13 are in the key\n9  | Fm7    # ii of Bb7: Dorian\n10 | Bb7    # extended dominant: V7 of Eb7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Eb7    # bVI7 in G minor, not resolving: the #11 is in the key\n1  | Fm7    # a borrowed minor chord: Dorian, its own key\n2  | Gm7    # tonic minor: Dorian by convention\n2  | Ab7    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | Bbm6   # a minor sixth chord: Dorian\n3  | Ab7    # tritone substitute: resolves down a half step to Gm7\n4  | Gm7    # tonic minor: Dorian by convention\n4  | Fm7    # a borrowed minor chord: Dorian, its own key\n5  | Eb7    # bVI7 in G minor, not resolving: the #11 is in the key\n5  | Fm7    # a borrowed minor chord: Dorian, its own key\n6  | G7     # extended dominant: V7 of C7\n6  | C7     # extended dominant: V7 of F7\n7  | F7     # tritone substitute: resolves down a half step to E7\n7  | E7     # extended dominant: each one falls a fifth into the next, on the way to G minor: b9 and b13 are in the key\n8  | A7     # V7 of V7: the dominant of the dominant, on the way to G minor: b9 and b13 are in the key\n8  | D7     # V7 of G minor, the chain's last link: b9 and b13 are in the key\n\nsection: A2\n1  | Gm7    # tonic minor: Dorian by convention\n2  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7#9   # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Gm7    # tonic minor: Dorian by convention\n4  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7#9   # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n6  | A9     # V7 of V7: the dominant of the dominant, on the way to G minor: the b13 is in the key, the 9 from the symbol\n6  | D9     # V7 of G minor, the chain's last link: the b13 is in the key, the 9 from the symbol\n7  | Gm7    # tonic minor: Dorian by convention\n8  | Gm7\n",1793575892712]