[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jogral":3},"title: Jogral\ncomposer: Djavan, Neto, Filó Machado\nstyle: Samba\nkey: C\nform: AABCD, 65 bars\nrecording: Djavan; Seduzir; EMI-Odeon; 1981\nyoutube: iIM7OSNnPUw\n# analysis: 2026-10-28, rules v2; C\n# recording: EMI-Odeon 31C 064 422888D; the composer's own first recording (rule 1); sources: MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, Seduzir, ℗ 1981, 2:16\n\nsection: A\n# area: G major (A 1–4)\n1  | GMaj9   # tonic: the 4th is in the key\n2  | Ebm9    # a borrowed minor chord: Dorian, its own key\n2  | Ebm6    # a minor sixth chord: Dorian\n3  | Dm9     # ii of the ii–V to C minor\n4  | G7#9#5  # V7\u002Fiv in G: b9, #9, #11 and b13 from the symbol\n# area: Bb major (A 5 – B 2)\n5  | Cm9     # ii of the ii–V to Bb\n6  | F13b9   # V7 of Bb: the b9 from the symbol\n7  | BbMaj9  # tonic: the 4th is in the key\n7  | Am7     # a borrowed minor chord: Dorian, its own key\n8  | Gm9     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7\u002FF   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Em9     # ii of A7b9b5: Dorian\n10 | A7b9b5  # extended ii–V: a side-step, its own key; b9 and #11 from the symbol\n11 | Ebm9    # ii of the ii–V to Db minor\n11 | Ab9     # V7\u002Fbiii in Bb: the #11 is in the key\n12 | Dbm9    # ii of Gb9: Dorian\n12 | Gb9     # extended ii–V: a side-step, its own key\n13 | Cm9     # ii of the ii–V to Bb\n13 | F7b9    # V7 of Bb: the b9 from the symbol\n14 | BbMaj9  # tonic: the 4th is in the key\n15 | D9sus   # static sus: Mixolydian\n16 | B7#9    # V7\u002F#iv in Bb: #11 and b13 are in the key, b9 and #9 from the symbol\n@ending 1 15\n@ending 2 16\n\nsection: B\n1  | Em9     # ii of A13sus: Dorian\n2  | A13sus  # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D major (B 2–4)\n2  | A13     # V7 of D: natural tensions\n3  | DMaj9   # tonic: the 4th is in the key\n4  | D9sus   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | D7#9#5  # V7\u002Fiv in D: b9, #9, #11 and b13 from the symbol\n# area: C major (B 5–7)\n5  | Gm9     # ii of C13sus: Dorian\n6  | C13sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | C13     # V7\u002FIV in C: natural tensions\n7  | FMaj9   # the C13 before it makes F the key of the moment: the 4th is in the key\n# area: G major (B 8 – C 4)\n8  | D9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: C\n1  | GMaj9   # tonic: the 4th is in the key\n2  | Ebm9    # a borrowed minor chord: Dorian, its own key\n2  | Ebm6    # a minor sixth chord: Dorian\n3  | Dm9     # ii of the ii–V to C minor\n4  | G7#9#5  # V7\u002Fiv in G: b9, #9, #11 and b13 from the symbol\n# area: Bb major (C 5 – D 11)\n5  | Cm9     # ii of the ii–V to Bb\n6  | F13b9   # V7 of Bb: the b9 from the symbol\n7  | BbMaj9  # tonic: the 4th is in the key\n7  | Am7     # a borrowed minor chord: Dorian, its own key\n8  | Gm9     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7\u002FF   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Em9     # ii of A7b9b5: Dorian\n10 | A7b9b5  # extended ii–V: a side-step, its own key; b9 and #11 from the symbol\n11 | Ebm9    # ii of the ii–V to Db minor\n11 | Ab9     # V7\u002Fbiii in Bb: the #11 is in the key\n12 | Dbm9    # ii of Gb9: Dorian\n12 | Gb9     # extended ii–V: a side-step, its own key\n13 | Cm9     # ii of the ii–V to Bb\n13 | F7b9    # V7 of Bb: the b9 from the symbol\n14 | BbMaj9  # tonic: the 4th is in the key\n15 | N.C.\n\nsection: D\n1  | D13#11  # III7 in Bb, not resolving: 9, #11 and 13 from the symbol\n1  | N.C.\n2  | N.C.\n2  | D13     # static dominant: its own mode\n3  | N.C.\n4  | N.C.\n5  | D13\n6  | D13\n7  | D13\n8  | D13\n9  | D13#11  # III7 in Bb, not resolving: 9, #11 and 13 from the symbol\n10 | D13#11\n11 | D13#11\n# area: G major (D 12)\n12 | D9sus   # static sus: Mixolydian\n@nav 8 Fine (Vamp and Fade)\n@nav 11 D.C. al Fine\n",1793484800554]