[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jive-at-five":3},"title: Jive at Five\ncomposer: Harry \"Sweets\" Edison & Count Basie\nstyle: Medium\nkey: Eb\nform: AABA\nrecording: Count Basie and His Orchestra; Count Basie and His Orchestra; Decca; 1953\nyoutube: EA5CK4O65oo\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1939-02-04, New York, Count Basie and His Orchestra with Harry Edison (the co-composer's trumpet solo) and Lester Young, matrix 64982-A, the first recording of it; first issued on 78 (Decca 2922, with Evil Blues), first LP the 12-inch DL 8049 (1953) (DAHR, Discogs); video: \"Provided to YouTube by Universal Music Group\", The Complete Decca Recordings, the same take\n\n# bar | chord | scale\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Fm7     # ii of Bb7: Dorian\n4 | Bb7     # extended dominant: V7 of Eb7\n5 | Eb7     # tritone substitute: resolves down a half step to D7\n5 | D7      # tritone substitute: resolves down a half step to Db7\n6 | Db7     # tritone substitute: resolves down a half step to C7\n6 | C7      # tritone substitute: resolves down a half step to B7\n7 | B7      # tritone substitute: resolves down a half step to Bb7\n7 | Bb7     # V7 of Eb: natural tensions\n8 | EbMaj7  # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | EbMaj7\n1 | Cdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n2 | Fm7     # ii: Dorian, the key’s own notes\n2 | Eb6     # tonic: the 4th is in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Cdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4 | Fm7     # ii: Dorian, the key’s own notes\n4 | Eb6     # tonic: the 4th is in the key\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Cdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6 | Fm7     # ii: Dorian, the key’s own notes\n6 | Eb6     # tonic: the 4th is in the key\n7 | F9      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A3\ncopy: A1\n",1793484800547]