[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jersey-bounce":3},"title: Jersey Bounce\ncomposer: Bobby Plater, Tiny Bradshaw, Edward Johnson\nstyle: Medium swing\n# book: Med. Bounce (Swing)\nkey: F\nform: ABC, 32 bars\nrecording: Benny Goodman; B.G. in Hi-Fi; Capitol; 1955\nyoutube: 5k72_aDpbsw\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded November 1954, Riverside Studios, New York, Benny Goodman with Mel Powell, Ruby Braff, Al Klink, George Duvivier, Bobby Donaldson and others, Capitol W-565; swing-era standard (1941) → Goodman's band, whose instrumental was the No. 1 hit of 1942 (Okeh 6590, recorded 1942-01-23 per FAU's archive, Columbia 38062); that take's first LP could not be confirmed, so Goodman's own well-documented LP-era remake, with Mel Powell again on piano; sources: Discogs, Wikipedia, FAU Recorded Sound Archives; video: \"Provided to YouTube by Universal Music Group\", B. G. In Hi Fi, the same take\n\n# the book's A is two 8-bar A's (AABA); its C is the last A\n# bar | chord\n\nsection: A\n1  | F6      # tonic: the 4th is in the key\n3  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii of the ii–V to F\n6  | C9      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Abdim7  # passing diminished: G7♭9 without its G, the C13's dominant (Gm7 its ii)\n8  | Gm7     # ii of the ii–V to F\n8  | C13     # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n11 | G7      # II7 in F, not resolving: natural tensions\n13 | Gm7     # ii of the ii–V to F\n14 | C9      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n15 | Db9     # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n16 | F6      # tonic: the 4th is in the key\n\nsection: B\n1  | F13     # I7 in F, not resolving: natural tensions\n3  | Eb13    # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Db13    # tritone substitute: resolves down a half step to C7\n7  | C7      # V7 in F, not resolving: natural tensions\n8  | C7#5    # V7 of F: #11 and b13 from the symbol\n# alternate bridge (printed below, a melody variant): F13 Eb13 Db13 C7, two bars each (bar 8 C7, no C7#5)\n\nsection: C\n1  | F6      # tonic: the 4th is in the key\n3  | G7      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii of the ii–V to F\n6  | C9      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Db9     # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n8  | F6      # tonic: the 4th is in the key\n",1793484800530]