[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jeepers-creepers":3},"title: Jeepers Creepers\ncomposer: Harry Warren\nstyle: Medium Swing\nkey: Bb\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – B 4)\n1  | Cm7    # ii of the ii–V to Bb\n1  | F7     # V7 of Bb: natural tensions\n2  | Bb6    # tonic: the 4th is in the key\n2  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Cm7    # ii of the ii–V to Bb\n3  | F7     # V7 of Bb: natural tensions\n4  | Bb6    # tonic: the 4th is in the key\n4  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Cm7    # ii of the ii–V to Bb\n5  | F7     # V7 of Bb: natural tensions\n6  | Bb6    # tonic: the 4th is in the key\n6  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Cm7    # ii of the ii–V to Bb\n7  | F7     # V7 of Bb: natural tensions\n8  | Bb6    # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Fm7    # ii of the ii–V to Eb\n1  | Bb7    # V7\u002FIV in Bb: natural tensions\n2  | Eb6    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | Cm7    # ii: Dorian, the key’s own notes\n3  | Fm7    # ii of the ii–V to Eb\n3  | Bb7    # V7\u002FIV in Bb: natural tensions\n4  | Eb6    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n# area: F major (B 5–8)\n5  | Gm7    # ii of the ii–V to F\n5  | C7     # V7 of F: natural tensions\n6  | FMaj7  # tonic: the 4th is in the key\n6  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gm7    # ii of C7: Dorian\n7  | C7     # V7\u002FI in F: natural tensions\n8  | Cm7    # ii of F7: Dorian\n8  | F7     # V7\u002FIV in F: natural tensions\n\nsection: A3\n# area: Bb major (A3 1–10)\n1  | Cm7    # ii of the ii–V to Bb\n1  | F7     # V7 of Bb: natural tensions\n2  | Bb6    # tonic: the 4th is in the key\n2  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Cm7    # ii of the ii–V to Bb\n3  | F7     # V7 of Bb: natural tensions\n4  | Bb6    # tonic: the 4th is in the key\n4  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Cm7    # ii of F7: Dorian\n5  | F7     # V7\u002FI in Bb: natural tensions\n6  | Ab7    # tritone substitute: resolves down a half step to G7\n6  | G7     # V7\u002Fii in Bb: the b13 is in the key\n7  | Cm7    # ii of the ii–V to Bb\n7  | F7     # V7 of Bb: natural tensions\n8  | Bb6    # tonic: the 4th is in the key\n8  | G7     # V7\u002Fii in Bb: the b13 is in the key\n9  | Cm7    # ii of the ii–V to Bb\n9  | F7     # V7 of Bb: natural tensions\n10 | Bb6    # tonic: the 4th is in the key\n",1793575892607]