[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:jeannine":3},"title: Jeannine\ncomposer: Duke Pearson\nstyle: Medium up\nkey: Ab\nform: AABA, 56 bars\nrecording: Cannonball Adderley Quintet; Them Dirty Blues; Riverside; 1960\nyoutube: FAzHD5nSa1M\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1960-03-29, Ter-Mar Recording Studios, Chicago, Nat Adderley, Cannonball Adderley, Barry Harris, Sam Jones, Louis Hayes, Riverside RLP 12-322 (also a two-part single, R-45-442); the first recording of it and the one that made it a standard; Pearson's own first recording came that November, on piano with Donald Byrd (At the Half Note Cafe, Vol. 2, Blue Note BLP 4061, 1961), and his trio's August 1961 version was unissued at the time (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Them Dirty Blues (2000 remaster), the same take\n\n# bar | chord | scale\n# the standard 16-bar A; the lead sheet condenses the Ab minor vamp\n\nsection: A1\nbars: 16\n# area: Ab major (A1 1)\n1  | Abm     # a borrowed minor chord: Dorian, its own key\n# area: E major (A1 9–12)\n9  | F#m7    # ii of the ii–V to E\n10 | B7      # V7 of E: natural tensions\n11 | EMaj7   # tonic: the 4th is in the key\n12 | A7#11   # IV7 in E, not resolving: the #11 is in the key\n# area: Ab major (A1 13 – A2 1)\n13 | Bbm7    # ii of the ii–V to Ab\n14 | Eb7     # V7 of Ab: natural tensions\n15 | AbMaj7  # tonic: the 4th is in the key\n\nsection: A2\n1  | Abm     # a borrowed minor chord: Dorian, its own key\n# area: E major (A2 9–12)\n9  | F#m7    # ii of the ii–V to E\n10 | B7      # V7 of E: natural tensions\n11 | EMaj7   # tonic: the 4th is in the key\n12 | A7#11   # IV7 in E, not resolving: the #11 is in the key\n# area: Ab major (A2 13 – B 1)\n13 | Bbm7    # ii of the ii–V to Ab\n14 | Eb7     # V7 of Ab: natural tensions\n15 | AbMaj7  # tonic: the 4th is in the key\n16 | Ebm7    # ii of the ii–V to Db\n16 | Ab7     # V7\u002FIV in Ab: natural tensions\n\nsection: B\n1  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n# area: F major (B 3–4)\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n# area: Ab major (B 6)\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FV in Ab: natural tensions\n# area: Ab minor (B 7 – A3 1)\n7  | Bbm7    # ii of the ii–V to Ab minor\n8  | Eb7     # V7 of Ab minor: b9 and b13 are in the key\n\nsection: A3\ncopy: A1\n",1793484800522]