[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:james":3},"title: James\ncomposer: Pat Metheny\nstyle: Bossa Nova\nkey: D\nform: AABA, 38 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: Intro\n1  | D#6      # ♭II6, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n1  | B\u002FD#     # a non-tonic major chord: Lydian\n2  | G\u002FD      # IV: the #4 is the key’s 7th\n2  | A\u002FC#     # V without its 7th: Mixolydian, the key’s own notes\n3  | C6       # ♭VII6, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | Cdim7    # passing diminished: D7♭9 without its D, the G\u002FB's dominant; not functioning diatonically: the symmetric scale\n4  | G\u002FB      # IV: the #4 is the key’s 7th\n4  | Gm\u002FBb    # iv from the parallel minor: Dorian, its notes\n5  | D\u002FA      # tonic: the 4th is in the key\n6  | FMaj7\u002FA  # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n7  | D\u002FA      # tonic: the 4th is in the key\n8  | Gadd9    # IV: the #4 is the key’s 7th\n8  | G        # IV: the #4 is the key’s 7th\n8  | A        # V without its 7th: Mixolydian, the key’s own notes\n\nsection: A1\n1  | DMaj7    # tonic: the 4th is in the key\n1  | GMaj7    # IV: the #4 is the key’s 7th\n2  | A\u002FC#     # V without its 7th: Mixolydian, the key’s own notes\n2  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | GMaj7    # IV: the #4 is the key’s 7th\n3  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | GMaj7    # IV: the #4 is the key’s 7th\n4  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | DMaj7    # tonic: the 4th is in the key\n5  | GMaj7    # IV: the #4 is the key’s 7th\n6  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7      # V7\u002Fvi in D: b9 and b13 are in the key\n6  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | GMaj7    # IV: the #4 is the key’s 7th\n7  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | GMaj7    # IV: the #4 is the key’s 7th\n8  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | GMaj7    # IV: the #4 is the key’s 7th\n9  | G\u002FA      # IV: the #4 is the key’s 7th\n10 | D        # tonic: the 4th is in the key\n10 | G\u002FA      # IV: the #4 is the key’s 7th\n10 | A        # V without its 7th: Mixolydian, the key’s own notes\n11 | GMaj7    # IV: the #4 is the key’s 7th\n11 | G\u002FA      # IV: the #4 is the key’s 7th\n12 | D        # tonic: the 4th is in the key\n@ending 1 9 10\n@ending 2 11 12\n\nsection: B\n1  | A        # V without its 7th: Mixolydian, the key’s own notes\n1  | F#7\u002FA#   # V7\u002Fvi in D: b9 and b13 are in the key\n2  | Bm       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | A\u002FC#     # V without its 7th: Mixolydian, the key’s own notes\n3  | D        # tonic: the 4th is in the key\n3  | C#\u002FF     # a non-tonic major chord: Lydian\n4  | F#m      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E\u002FG#     # a non-tonic major chord: Lydian\n5  | A        # V without its 7th: Mixolydian, the key’s own notes\n5  | A\u002FG      # V without its 7th: Mixolydian, the key’s own notes\n6  | D\u002FF#     # tonic: the 4th is in the key\n6  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Em7      # ii: Dorian, the key’s own notes\n7  | A        # V without its 7th: Mixolydian, the key’s own notes\n8  | GMaj7    # IV: the #4 is the key’s 7th\n8  | A        # V without its 7th: Mixolydian, the key’s own notes\n\nsection: A2\n1  | DMaj7    # tonic: the 4th is in the key\n1  | GMaj7    # IV: the #4 is the key’s 7th\n2  | A\u002FC#     # V without its 7th: Mixolydian, the key’s own notes\n2  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | GMaj7    # IV: the #4 is the key’s 7th\n3  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | GMaj7    # IV: the #4 is the key’s 7th\n4  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7       # extended dominant: V7 of G7\n5  | G7       # IV7 in D, not resolving: the #11 is in the key\n6  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7      # V7\u002Fvi in D: b9 and b13 are in the key\n6  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | GMaj7    # IV: the #4 is the key’s 7th\n7  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | GMaj7    # IV: the #4 is the key’s 7th\n8  | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | GMaj7    # IV: the #4 is the key’s 7th\n9  | G\u002FA      # IV: the #4 is the key’s 7th\n10 | D        # tonic: the 4th is in the key\n10 | G        # IV: the #4 is the key’s 7th\n10 | A        # V without its 7th: Mixolydian, the key’s own notes\n@coda 8\n\nsection: Coda\n1  | GMaj7    # IV: the #4 is the key’s 7th\n1  | G\u002FA      # IV: the #4 is the key’s 7th\n2  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | D7\u002FA     # V7\u002FIV in D: natural tensions\n3  | GMaj7    # the D7\u002FA before it makes G the key of the moment: the 4th is in the key\n3  | F#m      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | GMaj7    # IV: the #4 is the key’s 7th\n4  | F#m      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | GMaj7    # IV: the #4 is the key’s 7th\n5  | G\u002FA      # IV: the #4 is the key’s 7th\n6  | D        # tonic: the 4th is in the key\n@coda 1\n",1793575892532]