[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-never-been-in-love-before":3},"title: I've Never Been in Love Before\ncomposer: Frank Loesser\nstyle: Medium\nkey: Bb\nform: AABA\nrecording: Chet Baker; Chet Baker Sings; Pacific Jazz; 1956\nyoutube: HmhzRC4h2Ko\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1956-07-23, Forum Theatre, Los Angeles, with Russ Freeman; first issued on the 12\" Chet Baker Sings (PJ-1222, 1956), which added six 1956 tracks to the 1954 10\"; songbook standard (Guys and Dolls) → Chet's reading as the jazz reference (Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Let's Get Lost: The Best of Chet Baker Sings (\"Vocal Version\"), the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: Bb major (A1 1 – B 5)\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7 of Bb: natural tensions\n3 | BbMaj7  # tonic: the 4th is in the key\n3 | Eb7     # tritone substitute: resolves down a half step to Dm7\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7 of Bb: natural tensions\n3 | BbMaj7  # tonic: the 4th is in the key\n3 | Eb7     # tritone substitute: resolves down a half step to Dm7\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n\nsection: B\n1 | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7 of Bb: natural tensions\n3 | BbMaj7  # tonic: the 4th is in the key\n4 | Am7     # ii of the ii–V to G minor\n4 | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n5 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B 6–7)\n6 | Em7b5   # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7b9    # V7 of D: the b9 from the symbol\n7 | DMaj7   # tonic: the 4th is in the key\n# area: Bb major (B 8 – A3 8)\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A3\ncopy: A1\n",1793484800495]