[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-heard-that-song-before":3},"title: I've Heard That Song Before\ncomposer: Jule Styne\nstyle: Medium Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – C 3)\n1 | CMaj7   # tonic: the 4th is in the key\n1 | C6      # tonic: the 4th is in the key\n2 | C6\n3 | Bm7     # ii of E7: Dorian\n3 | E7      # extended dominant: V7 of A7\n4 | E7\n5 | A7      # extended dominant: V7 of D7\n6 | A7\n7 | D7      # extended dominant: V7 of Dm7\u002FG\n8 | D7\n\nsection: B\n1 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n1 | G7      # V7 in C, not resolving: natural tensions\n2 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | C6      # tonic: the 4th is in the key\n3 | G7#5    # V7 of C: #11 and b13 from the symbol\n4 | C6      # tonic: the 4th is in the key\n5 | Am7     # ii of D7: Dorian\n6 | D7      # extended dominant: V7 of Dm7\u002FG\n7 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | C6      # tonic: the 4th is in the key\n2 | C6\n3 | Bm7     # ii of E7: Dorian\n3 | E7      # V7 of A7, on the way to D minor: b9 and b13 are in the key\n4 | E7\n5 | A7      # V7 of D minor, the chain's last link: b9 and b13 are in the key\n6 | A7\n7 | Dm7     # ii: Dorian, the key’s own notes\n7 | A7      # V7\u002Fii in C: the b13 is in the key\n8 | Dm7     # ii: Dorian, the key’s own notes\n\nsection: C\n1 | F6      # IV: the #4 is the key’s 7th\n2 | Bb7     # back door bVII7 to C6: the #11 is in the key\n3 | C6      # tonic: the 4th is in the key\n# area: Bb major (C 3–6)\n3 | B7      # tritone substitute: resolves down a half step to BbMaj7\n4 | BbMaj7  # tonic: the 4th is in the key\n4 | A7      # V7\u002Fiii in Bb: b9 and b13 are in the key\n5 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ab7#11  # tritone substitute: resolves down a half step to G7\n# area: C major (C 6–8)\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793575892444]