[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-grown-accustomed-to-her-face":3},"title: I've Grown Accustomed To Her Face\ncomposer: Frederick Loewe\nstyle: Ballad\nkey: Eb\nform: AB, 20 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Ab7#11  # tritone substitute: resolves down a half step to Gm7\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7  | Fm7     # ii: Dorian, the key’s own notes\n7  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Ab7#11  # tritone substitute: resolves down a half step to Gm7\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FI in Eb: natural tensions\n8  | Db7#11  # tritone substitute: resolves down a half step to C7#9#5\n8  | C7#9#5  # extended dominant: V7 of F7; b9, #9, #11 and b13 from the symbol\n9  | F7      # II7 in Eb, not resolving: natural tensions\n9  | Abm6    # a minor sixth chord: Dorian\n10 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n11 | Fm7     # ii of the ii–V to Eb\n11 | Fm7\u002FBb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n12 | Eb6     # tonic: the 4th is in the key\n12 | Bb7     # V7 of Eb: natural tensions\n",1793575892433]