[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-got-you-under-my-skin":3},"title: I've Got You Under My Skin\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: Eb\nform: ABCD, 56 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1 – B 8)\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n9  | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n16 | C7      # V7\u002Fii in Eb: the b13 is in the key\n\nsection: B\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7b5   # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Bb7b9   # V7 of Eb: the b9 from the symbol\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n# area: C major (B 9–12)\n9  | Dm7     # ii of the ii–V to C\n10 | G7      # V7 of C: natural tensions\n11 | CMaj7   # tonic: the 4th is in the key\n12 | CMaj7\n# area: Eb major (B 13 – D 16)\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n16 | EbMaj7\n\nsection: C\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | EbMaj7  # tonic: the 4th is in the key\nalt 7  | G       # a non-tonic major chord: Lydian\n8  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: D\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\nalt 7  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\nalt 8  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\nalt 8  | Eb7     # I7 in Eb, not resolving: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\nalt 9  | Fm7     # ii: Dorian, the key’s own notes\n10 | Abm6    # a minor sixth chord: Dorian\nalt 10 | F#m7b5  # biiiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n11 | EbMaj7  # tonic: the 4th is in the key\nalt 11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\nalt 12 | C7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\nalt 12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n16 | Eb6\n",1793575892419]