[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-got-the-world-on-a-string":3},"title: I've Got The World On A String\ncomposer: Harold Arlen\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | F6     # tonic: the 4th is in the key\n1  | Eb7    # tritone substitute: resolves down a half step to D7\n1  | D7     # V7\u002Fii in F: the b13 is in the key\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | Bb7    # tritone substitute: resolves down a half step to Am7\n4  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Abm7   # a borrowed minor chord: Dorian, its own key\n5  | Gm7    # ii of C7: Dorian\n5  | C7     # V7\u002FI in F: natural tensions\n6  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n7  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n9  | F6     # tonic: the 4th is in the key\n9  | Bb7    # IV7 in F, not resolving: the #11 is in the key\n10 | F6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | A7     # extended dominant: V7 of D7\n2  | A7\n3  | D7     # extended dominant: V7 of G7\n4  | D7\n5  | G7     # II7 in F, not resolving: natural tensions\n6  | G7\n7  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n\nsection: A2\n1  | F6     # tonic: the 4th is in the key\n1  | Eb7    # tritone substitute: resolves down a half step to D7\n1  | D7     # V7\u002Fii in F: the b13 is in the key\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | Bb7    # tritone substitute: resolves down a half step to Am7\n4  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Abm7   # a borrowed minor chord: Dorian, its own key\n5  | Gm7    # ii of C7: Dorian\n5  | C7     # V7\u002FI in F: natural tensions\n6  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n7  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n",1793575892407]