[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-got-my-love-to-keep-me-warm":3},"title: I've Got My Love To Keep Me Warm\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: Eb\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6      # tonic: the 4th is in the key\n2  | Gbdim7   # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n3  | Fm7      # ii of Bb7: Dorian\n4  | Bb7      # V7\u002FI in Eb: natural tensions\n5  | Am7b5    # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n7  | Am7b5    # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n8  | D7b9\u002FF#  # VII7 in Eb, not resolving: b9 and b13 are in the key\n9  | Fm7      # ii of Bb7: Dorian\n10 | Bb7      # V7\u002FI in Eb: natural tensions\n11 | Fm7      # ii of Bb7: Dorian\n12 | Bb7      # V7\u002FI in Eb: natural tensions\n13 | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | C7b9     # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n14 | Fm7      # ii of the ii–V to Eb\n14 | Bb7      # V7 of Eb: natural tensions\n15 | Eb6      # tonic: the 4th is in the key\n15 | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Fm7      # ii of the ii–V to Eb\n16 | Bb7      # V7 of Eb: natural tensions\n17 | Eb6      # tonic: the 4th is in the key\n18 | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b13    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7       # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7      # ii: Dorian, the key’s own notes\n6  | G7       # V7 of C7, on the way to F minor: b9 and b13 are in the key\n6  | C7       # V7 of F minor, the chain's last link: b9 and b13 are in the key\n7  | Fm7      # ii of the ii–V to Eb\n8  | Bb7      # V7 of Eb: natural tensions\n\nsection: A2\n1  | Eb6      # tonic: the 4th is in the key\n2  | Gbdim7   # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n3  | Fm7      # ii of Bb7: Dorian\n4  | Bb7      # V7\u002FI in Eb: natural tensions\n5  | Am7b5    # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n7  | Am7b5    # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7b9     # V7\u002Fiii in Eb: b9 and b13 are in the key\n8  | D7b9\u002FF#  # VII7 in Eb, not resolving: b9 and b13 are in the key\n9  | Fm7      # ii of Bb7: Dorian\n10 | Bb7      # V7\u002FI in Eb: natural tensions\n11 | Fm7      # ii of Bb7: Dorian\n12 | Bb7      # V7\u002FI in Eb: natural tensions\n13 | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | C7b9     # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n14 | Fm7      # ii of the ii–V to Eb\n14 | Bb7      # V7 of Eb: natural tensions\n15 | Eb6      # tonic: the 4th is in the key\n15 | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Fm7      # ii of the ii–V to Eb\n16 | Bb7      # V7 of Eb: natural tensions\n",1793575892346]