[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ive-got-a-crush-on-you":3},"title: I've Got a Crush on You\ncomposer: George Gershwin\nstyle: Medium\nkey: Bb\nform: AB, 18 bars\nrecording: Ella Fitzgerald; Ella Fitzgerald Sings the George and Ira Gershwin Song Book; Verve; 1959\nyoutube: efkM8SxaQW4\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1959 (January, March and July sessions), Capitol Studio A, Hollywood, with Nelson Riddle; Verve MGVS 6082-5, released December 1959; songbook standard → Ella's reading as the reference, over Sinatra's 1947 Columbia 78 and Ella's 1950 Decca duo with Ellis Larkins; sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", the Song Book album track, the same take\n\n# bar | chord | scale\n\nsection: A\n1 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n2 | Cm7     # ii of F7: Dorian\n2 | F7      # V7\u002FI in Bb: natural tensions\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n4 | Cm7     # ii of the ii–V to Bb\n4 | F7      # V7 of Bb: natural tensions\n5 | BbMaj7  # tonic: the 4th is in the key\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FV in Bb: natural tensions\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FV in Bb: natural tensions\n8 | Cm7     # ii of F7: Dorian\n8 | F7      # V7\u002FI in Bb: natural tensions\n\nsection: B\nbars: 12\n1 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n2 | Cm7     # ii of F7: Dorian\n2 | F7      # V7\u002FI in Bb: natural tensions\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Dbdim7  # passing diminished: a rootless dominant ♭9\n4 | Cm7     # ii: Dorian, the key’s own notes\n4 | Ebm7    # ii of Ab7: Dorian\n4 | Ab7     # extended ii–V: a side-step, its own key\n5 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FV in Bb: natural tensions\n7 | Bb\u002FF    # tonic: the 4th is in the key\n7 | Gm7     # ii of C7: Dorian\n8 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | F7      # V7 of Bb: natural tensions\n9 | BbMaj7  # tonic: the 4th is in the key\n",1793484800475]