[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-you-or-no-one":3},"title: It's You or No One\ncomposer: Jule Styne\nstyle: Up\nkey: F\nform: ABCD, 32 bars\nrecording: Dexter Gordon; Doin' Allright; Blue Note; 1961\nyoutube: PhnIW4DTPek\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1961-05-06, Van Gelder Studio, Englewood Cliffs (Freddie Hubbard, Horace Parlan, George Tucker, Al Harewood), Blue Note BLP 4077, released 1961; songbook standard → the best-known jazz reading, over Doris Day's 1948 film introduction; sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Doin' Allright, the same take\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – A 7)\n1 | Bbm7    # a borrowed minor chord: Dorian, its own key\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: Coda\nbars: 8\n1 | Abm7    # ii of Db7: Dorian\n2 | Db7     # extended ii–V: a side-step, its own key\n3 | Gm7     # ii of the ii–V to F\n4 | C7      # V7 of F: natural tensions\n5 | F       # tonic: the 4th is in the key\n@coda 1\n\nsection: A\nbars: 8\n# the melody horn intro is left out; the played intro (Bbm7 Am7 D7) and the coda are added\n# the head is D.S. al Coda: a segno at A, the coda glyph at D 31 (to the coda) and at the coda itself\n@segno 1\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Bb7     # tritone substitute: resolves down a half step to Am7\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n\nsection: B\n# area: Ab major (B 1–3)\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (B 4–8)\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n6 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G minor\n8 | D7      # V7\u002Fv in C: natural tensions\n\nsection: C\n# area: F major (C 1 – D 7)\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Cm7     # ii of F7: Dorian\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: D\nbars: 8\n@coda 7\n@nav 7 D.S. al Coda\n1 | Bm7b5   # iiø7 of E7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | E7alt   # from the symbol: altered\n2 | Bbm7    # ii of Eb7: Dorian\n2 | Eb7     # extended ii–V: a side-step, its own key\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7      # extended ii–V: a side-step, its own key\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # extended ii–V: a side-step, its own key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n",1793484800468]